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Results: 19
Number of items: 19
  • Curtin, A., Purkayastha , P., & Yamomo, M. (2024). Methodologies Dialogue: Archives and Embodiments. In T. C. Davis, & P. Rae (Eds.), The Cambridge Guide to Mixed Methods Research for Theatre and Performance Studies (pp. 217-235). Cambridge University Press. https://doi.org/10.1017/9781009294904.015
  • Open Access
    Yamomo, M., & Beyer, T. (2024). "Framing Europe": meLê yamomo interviewed by Theresa Beyer. In C. Grüny, & B. Farnsworth (Eds.), New Music and Institutional Critique (pp. 195-205). (Ästhetiken X.0 – Zeitgenössische Konturen ästhetischen Denkens). J.B. Metzler. https://doi.org/10.1007/978-3-662-67131-3
  • Open Access
    Yamomo, M. (2024). La Sonoridad del Mundo en Manila del siglo XIX: A Synesthetic Listening to Spanish Writings in 19th-Century Manila. In A. Gasquet, & R. Ortuño Casanova (Eds.), Transnational Philippines : Cultural Encounters in Philippine Literature in Spanish (pp. 173-189). University of Michigan Press. https://doi.org/10.3998/mpub.11959397
  • Open Access
    Yamomo, M., & Titus, B. (2024). Rehearsing Decolonial Curatorship of Southeast Asian Sound Archives in Europe. In E. van Bijnen, P. Brandon, K. Fatah-Black, I. Limon, W. Modest, & M. Schavemaker (Eds.), The Future of the Dutch Colonial Past : Curating Heritage, Art and Activism (pp. 110-123). Amsterdam University Press. https://doi.org/10.1515/9789048556731-009, https://doi.org/10.2307/jj.11895526.11
  • Open Access
    Yamomo, M. (2024). How and why? The post/decolonial as method in contemporary European theatre. In R. Remshardt, & A. Mancewicz (Eds.), The Routledge Companion to Contemporary European Theatre and Performance (pp. 416-424). Routledge. https://doi.org/10.4324/9781003082538-67
  • Yamomo, M. (2023). Disentangling Colonial Archives: The Combustible Affair of Ensuring/Insuring Theater Safety in Colonial Singapore. In E. Fischer-Lichte, M. Sugiera, T. Jost, H. Hartung, & O. Soltani (Eds.), Entangled Performance Histories : New Approaches to Theater Historiography (pp. 127-144). (Routledge Advances in Theatre and Performance). Routledge. https://doi.org/10.4324/9781003353461-9
  • Open Access
    Yamomo, M. (2022). Dis/Obedience Performed. Southeast of Now, 6(1), 177-181. https://doi.org/10.1353/sen.2022.0008
  • Open Access
    Yamomo, M. (2022). Sonic Experiments of Postcolonial Democracy: Listening to José Maceda's Udlot-udlot and Ugnayan. Southeast of Now, 6(2), 133-146. https://muse.jhu.edu/article/871494
  • Yamomo, M. (2021). Acoustic Epistemologies and Early Sound Recordings in the Nusantara Region: Phonography, Archive, and the Birth of Ethnomusicology. In A. Johan , & M. A. Santaella (Eds.), Made in Nusantara: Studies in Popular Music (pp. 75-82). (Routledge Global Popular Music Series ). Routledge. https://doi.org/10.4324/9780367855529-9
  • Yamomo, M., & Titus, B. (2021). The Persistent Refrain of the Colonial Archival Logic/Colonial Entanglements and Sonic Transgressions: Sounding Out the Jaap Kunst Collection. The World of Music, 10(1), 39-70. https://www.jstor.org/stable/27032505
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