"Framing Europe" meLê yamomo interviewed by Theresa Beyer

Open Access
Authors
Publication date 2024
Host editors
  • C. Grüny
  • B. Farnsworth
Book title New Music and Institutional Critique
ISBN
  • 9783662671306
ISBN (electronic)
  • 9783662671313
Series Ästhetiken X.0 – Zeitgenössische Konturen ästhetischen Denkens
Chapter 16
Pages (from-to) 195-205
Publisher Berlin: J.B. Metzler
Organisations
  • Faculty of Humanities (FGw) - Amsterdam Institute for Humanities Research (AIHR) - Amsterdam School for Cultural Analysis (ASCA)
Abstract
Yamomo is interviewed by Theresa Beyer about his views on efforts to decolonise New Music, issues of critique that this raises, and how his biographical experience being Dutch and Filipino causes him to reflect on his status in between coloniser and colonised. For Yamomo, decolonialism, as with feminism and queerness before it, has already been eaten up by capitalism and now serves as a way of acquiring more capital. He argues that within contemporary music, the goal must not be to replace one system with another, but rather to focus on understanding the methods through which hierarchies and power positions are perpetuated in order to inform our decision-making as practitioners.
Document type Chapter
Language English
Published at https://doi.org/10.1007/978-3-662-67131-3
Downloads
yamomo.2013.Framing Europe (Final published version)
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