Search results
Results: 25
Number of items: 25
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Brandellero, A., & Kloosterman, R. C. (2020). There's Music to Play, Places to Go, People to See! An Exploration of Innovative Relational Spaces in the Formation of Music Scenes: The Case of The Hague in the 1960s. Built Environment, 46(2), 298 – 312. https://doi.org/10.2148/benv.46.2.298
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Velthuis, O. (Guest ed.), & Brandellero, A. (Guest ed.) (2018). Global art markets. Poetics, 71. https://www.sciencedirect.com/journal/poetics/vol/71
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Velthuis, O., & Brandellero, A. (2018). Introduction to special issue on Global Art Markets. Poetics, 71, 1-6. https://doi.org/10.1016/j.poetic.2018.11.007
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Verboord, M., & Brandellero, A. (2018). The globalization of popular music, 1960-2010: A multi-level analysis of music flows. Communication Research, 45(4), 603-627. https://doi.org/10.1177/0093650215623834
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Brandellero, A., & Velthuis, O. (2018). Reviewing art from the periphery. A comparative analysis of reviews of Brazilian art exhibition in the press. Poetics, 71, 55-70. https://doi.org/10.1016/j.poetic.2018.10.006 -
Brandellero, A., & Kloosterman, R. C. (2016). More than just bytes? Responses to digitization in the Paris cluster of world music production. In B. J. Hracs, M. Seman, & T. E. Virani (Eds.), The Production and Consumption of Music in the Digital Age (pp. 177-189). (Routledge Studies in Human Geography). Routledge. https://www.taylorfrancis.com/books/e/9781317529651/chapters/10.4324%2F9781315724003-24
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Kloosterman, R. C., & Brandellero, A. (2016). ‘"All these places have their moments": Exploring the Micro-Geography of Music Scenes: The Indica Gallery and the Chelsea Hotel. M/C Journal, 19(3), Article 1105. http://journal.media-culture.org.au/index.php/mcjournal/article/view/1105
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Brandellero, A., van der Hoeven, A., & Janssen, S. (2015). Valuing popular music heritage: exploring amateur and fan-based preservation practices in museums and archives in the Netherlands. In S. Baker (Ed.), Preserving popular music heritage: do-it-yourself, do-it-together (pp. 31-45). (Routledge research in music). Routledge. https://www.academia.edu/14108305/Valuing_popular_music_heritage_exploring_amateur_and_fan-based_preservation_practices_in_museums_and_archives_in_the_Netherlands
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Verboord, M., & Brandellero, A. (2015). National popular culture in an interconnected world: the case of pop charts. In W. de Been, P. Arora, & M. Hildebrandt (Eds.), Crossroads in new media, identity and law: the shape of diversity to come (pp. 218-236). Palgrave Macmillan. http://www.palgraveconnect.com/pc/doifinder/10.1057/9781137491268.0001
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van der Hoeven, A., & Brandellero, A. (2015). Places of popular music heritage: the local framing of a global cultural form in Dutch museums and archives. Poetics, 51, 37-53. https://doi.org/10.1016/j.poetic.2015.05.001
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