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Results: 13
Number of items: 13
  • Verstraete, P. (2009). De slag om muziek in het theater: omtrent definities tussen cultuurbeleid en artistieke vorm. Courant, 89, 4-9.
  • Verstraete, P. (2009). Het verlangen van het luisteren: over de esthetiek van verstoring in de installatiekunst van Granular Synthesis. nY, 2, 209-219.
  • Birdsall, C., Boletsi, M., Sapir, I., & Verstraete, P. (2009). Inside knowledge: (un)doing ways of knowing in the humanities. Cambridge Scholars.
  • Open Access
    Verstraete, P. (2009). Claiming music for the theatre: about definitions between cultural policy and artistic forms. In M. De Moor, J. Janssens, A. Lesage, & A. Olaerts (Eds.), Music theatre in Flanders: perspectives on the landscape (pp. 41-53). Vlaams Theater Instituut ; Flanders Music Centre.
  • Open Access
    Birdsall, C., Boletsi, M., Sapir, I., & Verstraete, P. (2009). Introduction. In C. Birdsall, M. Boletsi, I. Sapir, & P. Verstraete (Eds.), Inside knowledge: (un)doing ways of knowing in the humanities (pp. 1-13). Cambridge Scholars. http://www.cambridgescholars.com/inside-knowledge-16
  • Open Access
    Verstraete, P. (2009). Structuren in de waarneming: duizelingwekkende indrukken in Serendipity van Ann Veronica Janssens. De Witte Raaf, 24(142), 19-20. https://www.dewitteraaf.be/artikel/detail/nl/3476
  • Open Access
    Verstraete, P. M. G. (2009). The frequency of imagination : auditory distress and aurality in contemporary music theatre. [Thesis, fully internal, Universiteit van Amsterdam].
  • Verstraete, P. (2008). Auditory imagination and narrativisation in Béla Bartók's 'Bluebeard's Castle'. In C. Birdsall, & A. Enns (Eds.), Sonic mediations: body, sound, technology (pp. 243-257). Cambridge Scholars.
  • Verstraete, P. (2008). [Review of: B.D. McClung (2007) Lady in the dark: biography of a musical]. Forum Modernes Theater, 23(2), 164-166.
  • Open Access
    Verstraete, P. (2008). Interactive dance: looking at space through the eyes of the matrix. In M. Wagner, & W. D. Ernst (Eds.), Performing the matrix: mediating cultural performances (pp. 157-173). ePODIUM.
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