Search results
Results: 27
Number of items: 27
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Yamomo, M., & Titus, B. (2024). Rehearsing Decolonial Curatorship of Southeast Asian Sound Archives in Europe. In E. van Bijnen, P. Brandon, K. Fatah-Black, I. Limon, W. Modest, & M. Schavemaker (Eds.), The Future of the Dutch Colonial Past : Curating Heritage, Art and Activism (pp. 110-123). Amsterdam University Press. https://doi.org/10.1515/9789048556731-009, https://doi.org/10.2307/jj.11895526.11 -
Titus, B. (2021). Hearing The Given and The Made in South African Maskanda Music. The World of Music, 10(2), 79-105. https://www.jstor.org/stable/27095339
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Yamomo, M., & Titus, B. (2021). The Persistent Refrain of the Colonial Archival Logic/Colonial Entanglements and Sonic Transgressions: Sounding Out the Jaap Kunst Collection. The World of Music, 10(1), 39-70. https://www.jstor.org/stable/27032505
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Titus, B. (2020). [Review of: L. Meintjes (2017) Dust of the Zulu: Ngoma Aesthetics after Apartheid]. Ethnomusicology, 64(1), 174-178. https://www.jstor.org/stable/10.5406/ethnomusicology.64.1.0174
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Titus, B. (Ed.) (2019). Dwelling in musical movement: Making a home through music. The World of Music, 8(1). https://www.jstor.org/stable/e26654365
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