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Results: 25
Number of items: 25
  • Open Access
    Strauven, W. (2018). The Unseen Déjà-Vu: From Erkki Huhtamo’s Topoi to Ken Jacobs’ Remakes: Commentary to Edwin Carels “Revisiting Tom Tom: Performative anamnesis and autonomous vision in Ken Jacobs’ appropriations of Tom Tom the Piper’s Son”. Foundations of Science, 23(2), 231-236. https://doi.org/10.1007/s10699-016-9516-5
  • Strauven, W. (2016). The Screenic Image: Between Verticality and Horizontality, Viewing and Touching, Displaying and Playing. In D. Chateau, & J. Moure (Eds.), Screens: From Materiality to Spectatorship: A Historical and Theoretical Reassessment (pp. 143-156). (The Key Debates: Mutations and appropriations in European film studies; Vol. 6). Amsterdam University Press.
  • Strauven, W. (2016). (Film) History Made by Nameless Children. In D. Cavalotti, F. Giordano, & L. Quaresima (Eds.), A History of Cinema Without Names: A research projec (pp. 239-246). Mimesis.
  • Strauven, W. (2015). The (Noisy) Praxis of Media Archaeology. In A. Beltrame, G. Fidotta, & A. Mariani (Eds.), At the Borders of (Film) History: temporality, archaeology, theories: XXI Convegno internazionale di studi sul cinema, Udine, 2-4 aprile 2014 (pp. 33-42). Forum.
  • Strauven, W. (2014). Paolo Gioli as (New) Media Archaeologist. In A. Bordina, & A. Somaini (Eds.), Paolo Gioli: the man without a movie camera (pp. 17-24). Mimesis.
  • Strauven, W. (2014). Pour une lecture média-archéologique de l’oeuvre de Georges Méliès. In A. Gaudreault, L. Le Forestier, & S. Tralongo (Eds.), Méliès, Carrefour des attractions: suivi de Correspondance de Georges Méliès (1904-1937) (pp. 291-300). Presses Universitaires de Rennes.
  • Strauven, W. (2013). Media Archaeology: Where Film History, Media Art and New Media (Can) Meet. In J. Noordegraaf, C. G. Saba, B. Le Maître, & V. Hediger (Eds.), Preserving and exhibiting media art: challenges and perspectives (pp. 59-79). (Framing film). Amsterdam University Press. http://www.oapen.org/search?identifier=530353
  • Open Access
    Schneider, A., & Strauven, W. (2013). Waste: An Introduction. NECSUS, 2(2), 409-418. https://doi.org/10.5117/NECSUS2013.2.SCHN
  • Open Access
    Strauven, W. (2012). Early cinema’s touch(able) screens: from Uncle Josh to Ali Barbouyou. NECSUS, 2. http://www.necsus-ejms.org/early-cinemas-touchable-screens-from-uncle-josh-to-ali-barbouyou/
  • Strauven, W. (2011). The Observer's Dilemma: To Touch or Not to Touch. In E. Huhtamo, & J. Parikka (Eds.), Media archaeology: approaches, applications, and implications (pp. 148-163). University of California Press.
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