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Results: 62
Number of items: 62
  • Indurkhya, B., Dastani, M. M., & Scha, R. J. H. (2003). Modeling analogical projection in pattern perception. Journal of Experimental and Theoretical Artificial Intelligence, 15(4).
  • Open Access
    Monz, C. (2003). From document retrieval to question answering. [Thesis, fully internal, Universiteit van Amsterdam]. Institute for Logic, Language and Computation.
  • Elsenaar, A., & Scha, R. J. H. (2002). Electric body manipulation as performance art: A historical perspective. Leonardo Music Journal, 12, 17-28. https://doi.org/10.1162/096112102762295089
  • Scha, R. J. H. (2002). Computer linguistics and music education. In L. van der Velden, F. Evers, & P. van der Wenden (Eds.), The Art of Programming (pp. 117-120). De Balie/Sonic Acts.
  • Open Access
    von Engelhardt, J. (2002). The language of graphics. [Thesis, fully internal, Universiteit van Amsterdam].
  • Scha, R. J. H. (2001). Readymades, artificial art, new media. In A. W. Balkema, & H. Slager (Eds.), Exploding Aesthetics (pp. 40-47). (of L & B Series of Philosophy and Art Theory; No. 16). Rodopi.
  • Scha, R. J. H., Bonnema, R. L., & Buying, P. (2000). Parse Tree Probability in Data Oriented Parsing. In A. Gelbukh (Ed.), Proceedings of CICLing-2000
  • Bonnema, R. L., Scha, R. J. H., & Sima'an, K. (1999). A Memory-Based Model of Syntactic Analysis: Data-Oriented Parsing. Journal of Experimental and Theoretical Artificial Intelligence, 11(3), 409-440. https://doi.org/10.1080/095281399146481
  • Dastani, M. M. (1998). Languages of perception. [Thesis, fully internal, Universiteit van Amsterdam]. ILLC.
  • ten Hoopen, C. (1997). Perception of sound. Sound, cause and human presence in electroacoustic music. [Thesis, fully internal, Universiteit van Amsterdam]. in eigen beheer.
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