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Results: 89
Number of items: 89
  • de Groot, R. (2010). Music at the limits: Edward Said's musical elaborations. In W. Otten, A. Vanderjagt, & H. de Vries (Eds.), How the West was won: essays on literary imagination, the canon, and the Christian Middle Ages for Burcht Pranger (pp. 127-145). (Brill's studies in intellectual history; No. 188). Brill.
  • de Groot, R. (2010). Music, religion and power: Quwwali as empowering disempowerment. In M. B. ter Borg, & J. W. van Henten (Eds.), Powers: religion as a social and spiritual force (pp. 243-264, 316-320). (The future of the religious past). Fordham University Press.
  • Kraut, J. (2010). From silence to muteness: music and philosophy in the 20th century. [Thesis, fully internal, Universiteit van Amsterdam].
  • de Groot, R. (2009). Een 'moment van genade' in muziek: Daan Manneke's werk als bespiegeling over muziek en het numineuze. In G. van der Leeuw, & W. Arts (Eds.), Daan Manneke: componist van de ruimte (pp. 74-81). Van Kemenade.
  • Zegers, R. H. C. (2008). The eyes and other pathographical aspects of J.S. Bach and W.A. Mozart : a medico-historical evaluation. [Thesis, externally prepared, Universiteit van Amsterdam].
  • de Groot, R. (2008). De duizelingwekkende tijd: verandering en beweging. Preludium : Concertgebouwnieuws, 66(10), 24-26.
  • Vignau, C. (2008). Modernity, complex societies and the alphorn. [Thesis, externally prepared, Universiteit van Amsterdam].
  • de Groot, R. (2008). On composition and performance. Journal of the Indian Musicological Society, 39, 88-102.
  • Open Access
    de Groot, R. (2008). Complex transmission in a literate music tradition: a case study. Dutch Journal of Music Theory, 13(3), 220-230. http://upers.kuleuven.be/sites/upers.kuleuven.be/files/page/files/2008_3_3.pdf
  • de Groot, R., & van der Schoot, A. (2007). Redefining musical identities: reorientations at the waning of modernism. Artez Press [etc.].
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