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Results: 89
Number of items: 89
  • Open Access
    Havelková, T. (2017). Opera as hypermedium: Meaning-making, immediacy, and the politics of perception. [Thesis, fully internal, Universiteit van Amsterdam].
  • Open Access
    Kemme, C. (2017). Mozart’s unfinished Mass in C minor, K. 427 (‘Great Mass’): History, Theory, and Practice of its Completion. [Thesis, externally prepared, Universiteit van Amsterdam].
  • Open Access
    Čičovački, B. (2017). Transformaties van volksmuziek van de westelijke Balkan en de Servische Octoëchos (Byzantijnse kerkmuziek) in het oeuvre van Ljubica Marić. [Thesis, externally prepared, Universiteit van Amsterdam].
  • de Groot, R. (2013). From past to present and from listening to hearing: Final indefinable moments in Bach's and Stravinsky's music. In B. Hellemans, W. Otten, & B. Pranger (Eds.), On Religion and Memory (pp. 155-174). Fordham University Press. https://doi.org/10.5422/fordham/9780823251629.003.0010
  • de Groot, R. (2013). Musical seducers and music as seduction. In F. Kouwenhoven, & J. Kippen (Eds.), Music, Dance and the Art of Seduction (pp. 39-48). Eburon.
  • Open Access
    Marković, A. (2013). Sounding stereotypes: Construction of place and reproduction of metaphors in the music of Goran Bregović. [Thesis, externally prepared, Universiteit van Amsterdam].
  • Open Access
    Bosma, H. M. (2013). The electronic cry: Voice and gender in electroacoustic music. [Thesis, externally prepared, Universiteit van Amsterdam].
  • de Groot, R. (2012). Polyphonies of Love. In F. Merlini, L. E. Sullivan, R. Bernardini, & K. Olson (Eds.), Love on a Fragile Thread: presentations of the 2011 Eranos Conference, of the 2008 - 2011 Fetzer Institute Dialogues at Eranos, and of the 2010 - 2011 Eranos-Jung Lectures, Eranos, Monte Verità and San Materno Theater, Ascona, Switzerland (pp. 607-624). Daimon Verlag.
  • de Groot, R. (2012). The Legacy of 'Umar Khayyâm in Music of the Netherlands. In A. A. Seyed-Gohrab (Ed.), The Great 'Umar Khayyâm: A Global Reception of the Rubáiyát (pp. 143-160). Leiden University Press.
  • Lapidaki, E., de Groot, R., & Stagkos, P. (2012). Communal Creativity as Socio-musical Practice. In G. E. McPherson, & G. Welch (Eds.), The Oxford Handbook of Music Education. - Vol. 2 (pp. 371-388). Oxford University Press.
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