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Results: 67
Number of items: 67
  • Lerm Hayes, C.-M. (2021). Beuys in Irland. In T. Skrandies, & B. Paust (Eds.), Joseph Beuys-Handbuch: Leben - Werk - Wirkung (pp. 162-164). J.B. Metzler Verlag. https://doi.org/10.1007/978-3-476-05792-1_28
  • Open Access
    Lerm-Hayes, C.-M. (2021). Future-Oriented Systemic Thinking: Effects of Beuys, Duchamp, Joyce, O’Doherty … Yours and Mine. In M. Holzhey, K. Neuburger, & K. Röder (Eds.), Beuys & Duchamp: Artists of the Future (pp. 354-368). Hatje Cantz.
  • Open Access
    Çolak, E. (2021). Creating a new Europe through contemporary art: Manifesta and its relation to art, society and politics. [Thesis, externally prepared, Universiteit van Amsterdam].
  • Open Access
    Lerm Hayes, C.-M. (2021). The Finnegans Wake Reading Group as a Model for “Stealth Activities” Between Art and the University. Forum Modernes Theater, 32(2), 278-287. https://doi.org/10.2357/FMTh-2021-0025
  • Open Access
    Wielocha, A. B. (2021). Collecting archives of objects and stories: On the lives and futures of contemporary art at the museum. [Thesis, fully internal, Universiteit van Amsterdam].
  • Lerm Hayes, C.-M. (2020). Zeitgenössische Kunst zwischen Medium der Menschenrechte und ihrer normativen (Neu)Erschaffung. Ariella Azoulay und die Performanz der Menschenrechte durch das Bild. In B. Hofmann (Ed.), Menschenrecht als Nachricht: Medien, Öffentlichkeit und Moral seit dem 19. Jahrhundert (pp. 347-380). Campus Verlag.
  • Open Access
    Lerm Hayes, C.-M. (2020). Art and Research: A Portrait of a Humanities Faculty as an Inclusive Workspace. Krisis : Journal for contemporary philosophy, 40(1), 180-202. https://doi.org/10.21827/krisis.40.1.37009
  • Open Access
    Lerm-Hayes, C.-M. (2020). “His errors are volitional and are the portals of discovery”: Towards an Indirect Social Efficacy of Joyce’s Attitude to Mistakes – through (Beuys’) Art Responding to Joyce. In E.-L. Silva, S. Slote, & D. Van Hulle (Eds.), James Joyce and the Arts (pp. 40-54). (European Joyce Studies; Vol. 29). Brill Rodopi. https://doi.org/10.1163/9789004426191_005
  • Open Access
    Rombout, M. K. (2020). How to do things with pictures in the museum: Photography, montage and political space. [Thesis, externally prepared, Universiteit van Amsterdam].
  • Open Access
    Lelik, T. A. (2020). Representations of irrepresentability: The painted portrait in the twentieth-century in the works of Edvard Munch, Francis Bacon, and Marlene Dumas. [Thesis, externally prepared, Universiteit van Amsterdam].
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