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Results: 69
Number of items: 69
  • Open Access
    Armin, J. E. (2026). Island thought: The Neolithic in Jo Baer's Land of the Giants and sovereignty in Sung Hwan Kim's Drifting Across the Sea. [Thesis, externally prepared, Universiteit van Amsterdam].
  • Open Access
    Morin, S. L. (2026). Who's afraid of Transavanguardia? Reassembling actor-networks of visual art and politics in Italy 1976-1986. [Thesis, externally prepared, Universiteit van Amsterdam].
  • Open Access
    Antille, B. (2026). Art's move towards the sphere of action: Foundations for a technological regime of the project. [Thesis, externally prepared, Universiteit van Amsterdam].
  • Open Access
    Rana, M. (2026). The cinema of Bernadette Mayer. [Thesis, externally prepared, Universiteitsbibliotheek].
  • Open Access
    Lerm-Hayes, C.-M. (2025). Boekie Woekie as a Social Practice by Stealth in Times of Historical Change. In M. Aden (Ed.), In the Wake of Blind Navigation: Boekie Woekie - Books by artists (pp. 95-130). (Roma publication; No. 496). Roma Publications.
  • Open Access
    de Leij, N. F. (2025). The terms of critique: On art as critique in October journal. [Thesis, fully internal, Universiteit van Amsterdam].
  • Open Access
    Lerm Hayes, C.-M. (2025). Die Farben des Ulysses in ihrer globalen und transhistorischen Materialität. In W. Schmidt (Ed.), James Joyce und die Farben des Ulysses (pp. 241-245). DCV.
  • Open Access
    Peperkamp, M. M. J. (2025). Techno-critical dimensions of art: Challenging hegemonic negations of nature. [Thesis, externally prepared, Universiteit van Amsterdam].
  • Kovač, L., Lerm-Hayes, C.-M., van Rijn, I., & Saloul, I. (Eds.) (2023). W.G. Sebald's Artistic Legacies: Memory, Word and Image. (Heritage and Memory Studies). Amsterdam University Press. https://doi.org/10.2307/j.ctv37363wr, https://doi.org/10.1515/9789048554133, https://doi.org/10.1017/9789048554133
  • Lerm-Hayes, C.-M. (2023). Brian O’Doherty/Patrick Ireland: A modest proposal to decolonise Ireland. In E. Mazadiego (Ed.), Charting Space: The Cartographies of Conceptual Art (pp. 99-115). (Rethinking Art's Histories). Manchester University Press.
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