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Results: 69
Number of items: 69
  • Lerm Hayes, C.-M. (2023). Reading Time and Infrastructural Critique: Christa-Maria Lerm Hayes reflects on Brian O’Doherty’s Social Practice Legacy. Visual Arts News Sheet, 2023(4), 9. https://visualartists.ie/out-now-july-august-issue-of-the-visual-artists-news-sheet-3/
  • Open Access
    Huiskens, M. D. H. P. (2023). Beyond being an Italian sculptor: The exile of Fred Carasso in the Low Countries after the rise of fascism, 1928-1958. [Thesis, externally prepared, Universiteit van Amsterdam, Università degli Studi di Salerno].
  • Open Access
    Vorster, S. (2023). Curating justice after apartheid: South Africa's constitutional court art collection. [Thesis, externally prepared, Universiteit van Amsterdam].
  • Open Access
    Lerm-Hayes, C.-M. (2023). Memory, Word and Image in Sebald and Joyce: Towards a Transhistorical Ethics Communicated Through Minor Interventions in the Form of the Printed Book. In L. Kovač, C.-M. Lerm Hayes, I. van Rijn, & I. Saloul (Eds.), W.G. Sebald’s Artistic Legacies: Memory, Word and Image (pp. 227-242). (Heritage and Memory Studies). Amsterdam University Press. https://doi.org/10.2307/j.ctv37363wr.16, https://doi.org/10.1515/9789048554133-014, https://doi.org/10.1017/9789048554133.013
  • Lerm-Hayes, C.-M. (2022). A Shout in the Street: Some artists’ dialectical theory of urbanism. In A. Gowen (Ed.), Rights of Way: The body as witness in public space (pp. 21-34). Onomatopee.
  • Lerm Hayes, C.-M. (2022). Aspect Change, Oscillation, Parallax, Untranslatability. In T. Melzer (Ed.), Atlas of Aspect Change (pp. 405-416). Rollo Press.
  • Open Access
    Lerm Hayes, C.-M. (2022). Instituting Interconnecting Cosmologies: Documenta History, German History, and Art History in the Wake of Aby Warburg, Joseph Beuys and ruangrupa. Simulacrum, 31, 7-9.
  • Open Access
    Cueto Gutierrez, B. (2022). White papers on dissent: Politics and poetics of blockchain. [Thesis, externally prepared, Universiteit van Amsterdam].
  • Open Access
    Verga, F. (2022). Tainted memory: Repetition and reconstructions in Mike Kelley’s performative practice. [Thesis, externally prepared, Universiteit van Amsterdam].
  • Open Access
    Lerm-Hayes, C.-M. (2022). Art History Rooms, Decoloniality, and Liberature: Practicing Art History in the Herenlogement at the Turfdraagsterpad. Image & Narrative, 23(2), 122-131. http://www.imageandnarrative.be/index.php/imagenarrative/article/view/3004
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