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Results: 6
Number of items: 6
  • Open Access
    De Groof, M., Gabriels, B., & Aerts, K. (2026). A Royal Zero Hour? Belgian King Leopold III and SS officer Ernst Schäfer making ‘Masters of the Congo Jungle’ (1958). In G. Willems, B. Gabriels, & B. Rochet (Eds.), Cinema in Post-War Belgian Cinema: Rebuilding Screens and Identities, 1944-1967 (pp. 339-360). Leuven University Press. https://doi.org/10.2307/jj.37198839.21
  • Open Access
    De Groof, M. (2025). [Film review of: J. Grimonprez (2024) Soundtrack to a Coup d’Etat]. African Studies Review, 68(3), 710-711. https://doi.org/10.1017/asr.2025.10048
  • Open Access
    De Groof, M., & Katondolo, P. (2025). Mediating Africa Today Through the Cinema of Yole!Africa: A Conversation Between Matthias De Groof and Petna Ndaliko Katondolo. Afterimage, 52(3), 14-25. https://doi.org/10.1525/aft.2025.52.3.13
  • Open Access
    De Groof, M. (2024). Science Fiction and masquerade in Jean-Pierre Bekolo’s Les Saignantes (2005): A cinematic way out of Africa’s declining future. Journal of African Cinemas, 16(1), 15-37. https://doi.org/10.1386/jac_00106_1
  • Open Access
    Zian, Y., De Groof, M., & Mapanze Mangole, F. (2023). L'Odyssée de Lumumba: Les enjeux autour du rapatriement de sa dépouille. Revue d’Histoire Contemporaine de l’Afrique, 5, 19-38. Article 22. https://doi.org/10.51185/journals/rhca.2023.0502
  • Open Access
    De Groof, M. (2022). From Leopold III’s Master of the Jungle to Contemporary Congolese Eco-Cinema: Postcolonial Resonance. In P.-P. Fraiture (Ed.), Unfinished Histories: Empire and Postcolonial Resonance in Central Africa and Belgium (pp. 337-358). Leuven University Press. https://doi.org/10.2307/j.ctv31djqxw.19
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