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Results: 6
Number of items: 6
  • Open Access
    Kromhout, M. J. (2017). Noise resonance: Technological sound reproduction and the logic of filtering. [Thesis, externally prepared, Universiteit van Amsterdam].
  • Kromhout, M. J. (2015). ‘Antennas Have Long Since Invaded Our Brains’: Listening to the ‘Other Music’ in Friedrich Kittler. In S. van Maas (Ed.), Thresholds of Listening: Sound, Technics, Space (pp. 89-104). Fordham University Press. http://fordhampress.com/index.php/threshods-of-listening-cloth.html
  • Open Access
    Kromhout, M. (2014). An Exceptional Purity of Sound: Noise Reduction Technology and the Inevitable Noise of Sound Recording. Journal of Sonic Studies, 7. http://sonicstudies.org/jss7
  • Kromhout, M. J. (2012). As distant and close as can be. Lo-fi recording: site-specificity and (in)authenticity. Soundscapes, 15. http://www.icce.rug.nl/~soundscapes/VOLUME15/Lo-fi.shtml
  • Kromhout, M. J. (2011). 'Over the ruined factory there’s a funny noise': Throbbing Gristle and the mediatized roots of noise in/as music. Popular music and society, 34(1), 23-34. https://doi.org/10.1080/03007766.2011.539814
  • Open Access
    Kromhout, M. (2009). As distant and close as can be: lo-fi recording: site-specificity and (in)authenticity. In ARP 2009 proceedings: the Fifth Annual Art of Record Production Conference hosted by the Division of Music and Sound, ATRiuM, University of Glamorgan, Cardiff, S. Wales on November 13th-15th 2009 Association For The Study Of The Art Of Record Production. http://www.artofrecordproduction.com/content/view/225/114/
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