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Results: 5
Number of items: 5
  • Open Access
    van Kooten, K. B. (2016). "Was deutsch und echt…": Articulating a German operatic identity, 1798-1876. [Thesis, fully internal, Universiteit van Amsterdam].
  • van Kooten, K. (2014). 'Er sah mir in die Augen': Wagners theatrale uitwerking van conflict en compassie. In R. Helmers, & P. Westbroek (Eds.), Conflict en compassie: 200 jaar Richard Wagner (pp. 33-45). Nationale Opera & Ballet.
  • van Kooten, K. (2014). 'Closed, Efficient, Terrible!': Reflections on the Genesis and Dramaturgy of Illica's, Giacosa's and Puccini's Madama Butterfly. In S. Lichtenstein (Ed.), "Music's obedient daughter" : the opera libretto from source to score (pp. 269-296). (Textet: studies in comparative literature; No. 74). Rodopi. http://rodopi.nl/senj.asp?BookId=Textxet+74
  • van Kooten, K. (2013). Richard Wagner als realist; waanbeeld of werkelijkheid? [Bespreking van: H. Ridley (2012) Wagner and the novel: Wagner's operas and the European realist novel: an exploration of genre]. Vooys, 31(1), 78-83.
  • Open Access
    van Kooten, K. (2013). 'Wie hell grüßt uns heute der Herr!': hexatonic poles and mystical transformation in the Act I Grail scene of Wagner's Parsifal. Dutch Journal of Music Theory, 18(1), 1-12. http://upers.kuleuven.be/sites/upers.kuleuven.be/files/page/files/2013_1_1.pdf
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