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Results: 10
Number of items: 10
  • Open Access
    Vandivere, A., Pottasch, C., & Kneepkens, I. (2022). Reconstructing Rogier: Practical Insights into the Original Appearance of the Lamentation Attributed to Rogier van der Weyden, Based on Student Reconstructions. Materia: Journal of Technical Art History, 2. https://issue-2.materiajournal.com/vandivere/
  • Open Access
    van Loon, A., Gambardella, A. A., Gonzalez, V., Cotte, M., De Nolf, W., Keune, K., Leonhardt, E., de Groot, S., Proaño Gaibor , A. N., & Vandivere, A. (2020). Out of the blue: Vermeer's use of ultramarine in Girl with a Pearl Earring. Heritage Science, 8, Article 25. https://doi.org/10.1186/s40494-020-00364-5
  • Open Access
    Vandivere, A., Wadum, J., van den Berg, K. J., van Loon, A., & The Girl in the Spotlight research team (2019). From ‘Vermeer Illuminated’ to ‘The Girl in the Spotlight’: approaches and methodologies for the scientific (re-)examination of Vermeer’s Girl with a Pearl Earring. Heritage Science, 7, Article 66. https://doi.org/10.1186/s40494-019-0307-5
  • Townsend, J., & Vandivere, A. (Eds.) (2017). Studying the European Visual Arts 1800-1850: Paintings, Sculpture, Interiors and Art on Paper. Archetype.
  • Open Access
    Ribits, J., & Vandivere, A. (2017). Gilded Goddess: The technical examination of an anonymous Italian gilt leather painting at the Mauritshuis. In J. Bridgland (Ed.), ICOM-CC : 18th triennial conference, Copenhagen, 4-8 September 2017: linking past and future : preprints International Council of Museums. https://www.icom-cc-publications-online.org/1744/A-behaviour-index-for-complex-artworks--A-conceptual-tool-for-contemporary-art-conservation
  • Vandivere, A. (2016). "A translucent flesh-coloured primuersel": Intermediate layers in Jheronimus Bosch’s paintings. In J. Timmermans (Ed.), Jheronimus Bosch, his life and his work: 4th International Jheronimus Bosch Conference, April 14-16, 2016, Jheronimus Bosch Art Center, 's-Hertogenbosch, the Netherlands (pp. 352-369). Jheronimus Bosch Art Center.
  • Vandivere, A., Pottasch, C., & Meloni, S. (2016). Beneath the Surface: Distinguishing materials and techniques in genre paintings. In A. van Suchtelen, & Q. Buvelot (Eds.), Genre Paintings in the Mauritshuis (pp. 26-39). Waanders Uitgeverij.
  • Open Access
    Vandivere, A. L. S. (2013). From the ground up: Surface and sub-surface effects in fifteenth- and sixteenth-century Netherlandish paintings. [Thesis, externally prepared, Universiteit van Amsterdam].
  • van Duijn, E., Filedt Kok, J. P., Vandivere, A., Wallert, A., & Wolters, M. (2011). Developments in the underdrawing and painting technique of the sixteenth-century Leiden School, in particular the workshops of Cornelis Engebrechtsz and Lucas van Leyden. In M. Spring (Ed.), Studying old master paintings: technology and practice: the National Gallery technical bulletin 30th anniversary conference postprints (pp. 104-110). Archetype.
  • Filedt Kok, J. P., van Duijn, E., Vandivere, A., Wallert, A., & Wolters, M. (2011). De Leidse schilders aan het werk. In C. Vogelaar, J. P. Filedt Kok, H. Leeflang, & I. M. Veldman (Eds.), Lucas van Leyden en de Renaissance (pp. 78-101). Museum De Lakenhal [etc.].
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