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Results: 5
Number of items: 5
  • Open Access
    den Dulk, A. (2023). “My Whole Life I’ve Been a Fraud”: Resisting Excessive (Self-)Critique and Reaffirming Authenticity as Communal in David Foster Wallace’s “Good Old Neon” and Albert Camus’s The Fall. Humanities (Switzerland), 12(1), Article 20. https://doi.org/10.3390/h12010020
  • den Dulk, A. (2022). 'What All She’d So Painfully Learned Said About Her': A Comparative Reading of David Foster Wallace’s 'The Depressed Person' and Fyodor Dostoevsky’s Notes from Underground. In A. den Dulk, P. Masiero, & A. Ardovino (Eds.), Reading David Foster Wallace Between Philosophy and Literature (pp. 113-137). Manchester University Press. https://doi.org/10.7765/9781526163554.00012
  • den Dulk, A. (2022). Foer, Jonathan Safran. In P. O’Donnell, L. Larkin, & S. J. Burn (Eds.), The Encyclopedia of Contemporary American Fiction 1980–2020 (Vol. 1, pp. 495-501). Wiley Blackwell. https://doi.org/10.1002/9781119431732.ecaf0054
  • Open Access
    den Dulk, A. (2021). “I Am in Here”: A Comparative Reading of David Foster Wallace’s Infinite Jest and Franz Kafka’s The Metamorphosis. English Literature, 8, 29-49. https://doi.org/10.30687/EL/2420-823X/2021/08/002
  • Open Access
    den Dulk, A. (2020). New Sincerity and Frances Ha in Light of Sartre: A Proposal for an Existentialist Conceptual Framework. Film-Philosophy, 24(2), 140-161. https://doi.org/10.3366/film.2020.0136
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