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Results: 61
Number of items: 61
  • Open Access
    Devesa, J., Carlyle, L., Stols-Witlox, M., Boon, J. J., Fernando, A. L., Zumbühl, S., & França de Sá, S. (2022). Recipe analysis, reconstruction, and re-enactment: historical technological sources on the cleaning of easel paintings. In D. Oltrogge, J. H. Townsend, A. Haack-Christensen, & M. Stols-Witlox (Eds.), Reflecting on Reconstructions : The Role of Sources and Performative Methods in Art Technological Studies: Proceedings of the eighth symposium of the ICOM-CC working group on Art Technological Source Research, held at the Cologne Institute of Conservation Sciences, University of Applied Sciences, Cologne, 26-27 September 2019 (pp. 143-154). ICOM-CC. https://www.icom-cc-publications-online.org/4616/Recipe-analysis-reconstruction-and-re-enactment--historical-technological-sources-on-the-cleaning-of-easel-paintings-
  • Open Access
    Townsend, J., Keune, K., & Boon, J. (2021). Research into and analysis of the materials of easel paintings. In J. H. Stoner, & R. Rushfield (Eds.), Conservation of Easel Paintings (2nd ed., pp. 359-383). (Routledge Series in Conservation and Museology). Routledge. https://doi.org/10.4324/9780429399916-25
  • Jones, R., Townsend, J. H., Keune, K., & Boon, J. J. (2016). Observations on drying crackle and microcissing in early and mid-eighteenth-century British paintings. In A. Wallert (Ed.), Painting Techniques: History, materials and studio practice : 5th international symposium (pp. 174-181). Rijksmuseum.
  • Open Access
    Shimazu, Y. (2015). Chemical and optical aspects of appearance changes in oil paintings from the 19th and early 20th century. [Thesis, externally prepared, Universiteit van Amsterdam].
  • Sawicka, A., Burnstock, A., Izzo, F. C., Keune, K., Boon, J. J., Kirsch, K., & van den Berg, K. J. (2014). An Investigation into the Viability of Removal of Lead Soap Efflorescence from Contemporary Oil Paintings. In K. J. van den Berg, A. Burnstock, M. de Keijzer, J. Krueger, T. Learner, A. de Tagle, & G. Heydenreich (Eds.), Issues in contemporary oil paint (pp. 311-332). Springer. https://doi.org/10.1007/978-3-319-10100-2_21
  • Keune, K., Boon, J. J., Boitelle, R., & Shimadzu, Y. (2013). Degradation of Emerald green in oil paint and its contribution to the rapid change in colour of the Descente des vaches (1834-1835) painted by Theodore Rousseau. Studies in Conservation, 58(3), 199-210. https://doi.org/10.1179/2047058412Y.0000000063
  • van Loon, A., Noble, P., & Boon, J. J. (2012). The formation of complex crusts in oil paints containing lead white and smalt: dissolution, depletion, diffusion, deposition. In N. Meeks, C. Cartwright, A. Meek, & A. Mongiatti (Eds.), Historical technology, materials and conversation: SEM and microanalysis (pp. 207-209). Archetype Publications. http://www.archetype.co.uk/publication-details.php?id=130
  • Open Access
    van Loon, A. (2008). Color changes and chemical reactivity in seventeenth-century oil paintings. [Thesis, externally prepared, Universiteit van Amsterdam].
  • Marino, B. (2006). Paints quantified. Image analytical studies of preparatory grounds used by van Gogh. [Thesis, externally prepared, Universiteit van Amsterdam].
  • Open Access
    Keune, K. (2005). Binding medium, pigments and metal soaps characterised and localised in paint cross-sections. [Thesis, fully internal, Universiteit van Amsterdam].
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