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Results: 114
Number of items: 114
  • Open Access
    Stigter, S. (2016). Through the conservator's lens: from analogue photowork to digital printout: How is authenticity served? In E. Hermens, & F. Robertson (Eds.), Authenticity in Transition: Changing Practices in Contemporary Art Making and Conservation: proceedings of the international conference held at the University of Glasgow, 1-2 December 2014 (pp. 169-178). Archetype Publications.
  • Open Access
    Stigter, S. (2016). Between concept and material. Working with conceptual art: a conservator’s testimony. [Thesis, fully internal, Universiteit van Amsterdam].
  • Open Access
    Stigter, S. (2015). Co-Producing Conceptual Art: A Conservator’s Testimony. Revista de História da Arte - Série W, 4, 103-114. https://institutodehistoriadaarte.com/wp-content/uploads/2024/03/RHA_W_4.pdf
  • Open Access
    Stigter, S. (2014). Dynamic art technological sources for contemporary works: the artist interview and the installation process. In H. Dubois, J. H. Townsend, J. Nadolny, S. Eyb-Green, S. Kroustallis, & S. Neven (Eds.), Making and Transforming Art: Technology and Interpretation: proceedings of the fifth symposium of the ICOM-CC Working Group for Art Technology Source Research, held at the Royal Institute of Cultural Heritage (KIK-IRPA), Brussels, 22-23 November 2012 (pp. 147-148). Archetype Publications.
  • Open Access
    Wagenaar, M., & Stigter, S. (2014). In het licht van James Turrell. Conserveren en documenteren van ruimtevullende lichtinstallaties. kM : vakinformatie voor beeldende kunstenaars en restauratoren, 90, 5-7.
  • Open Access
    van Basten, N., Stigter, S., Kensche, S., & Peschar, R. (2014). Retouching Monochrome Painted Metal Outdoor Sculptures: Tests for Claes Oldenburg’s Trowel. In L. Beerkens, & T. Learner (Eds.), Conserving Outdoor Painted Sculpture: Proceedings from the Interim Meeting of the Modern Materials and Contemporary Art Working Group of ICOM-CC, Kröller-Müller Museum, Otterlo, the Netherlands, June 4-5, 2013 (pp. 73-80). The Getty Conservation Institute. http://www.getty.edu/conservation/publications_resources/pdf_publications/conserv_outdoor_painted.html
  • Open Access
    Stigter, S. (2014). Co-produrre arte concettuale: della conservazione di un’installazione variabile di Jan Dibbets. In P. Martore (Ed.), Tra memoria e oblio: percorsi nella conservazione dell'arte contemporanea (pp. 118-141, 281-286). (I timoni). Castelvecchi. http://www.castelvecchieditore.com/tra-memoria-e-oblio/
  • Open Access
    Stigter, S. (2013). Research in New Strategies in Conservation of Contemporary Art. ICOM-CC MMCA Working Group Newsletter, 3, 8-9. http://www.icom-cc.org/54/document/mmca-newsletter-may-2013/?id=1196#.U2jb8uUzk7c
  • Beerkens, L., 't Hoen, P., Hummelen, IJ., van Saaze, V., Scholte, T., & Stigter, S. (2012). The artist interview: for conservation and presentation of contemporary art: guidelines and practice. Jap Sam Books.
  • Open Access
    Stigter, S. (2012). The artist interview as a conservation tool for process-based art by Sjoerd Buisman. In L. Beerkens, P. 't Hoen, IJ. Hummelen, V. van Saaze, T. Scholte, & S. Stigter (Eds.), The artist interview: for conservation and presentation of contemporary art: guidelines and practice (pp. 68-77). Jap Sam Books.
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