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Results: 475
Number of items: 475
  • Elsaesser, T. (2009). Sonnen-Insulaner: on a Berlin island of memory. In U. Staiger, H. Steiner, & A. Webber (Eds.), Memory culture and the contemporary city: building sites (pp. 32-51). Palgrave Macmillan.
  • Elsaesser, T. (2009). Vergebliche Rettung: Geschichte als Palimpsest in 'Sterne'. Beiträge zur Film- und Fernsehwissenschaft, 63, 73-92.
  • Elsaesser, T. (2009). Real location, fantasy space, performative place: double occupancy and mutual interference in European cinema. In T. Trifanova (Ed.), European film theory (pp. 47-61). (AFI film readers). Routledge.
  • Open Access
    Elsaesser, T. (2009). Ein halbes Jahrhundert im Zeichen Bazins. Montage/AV, 18(1), 11-31. http://www.montage-av.de/pdf/181_2009/181_2009_Ein-halbes-Jahrhundert-im-Zeichen-Bazins.pdf
  • Open Access
    Elsaesser, T. (2009). Arresting the Moving Image [Review of: E. Røssaak (2008) Negotiating immobility: the moving image and the arts in Andy & Larry Wachowski's The matrix, Ken Jacobs's Tom, Tom, the piper's son and Bill Viola's The passions]. Norsk Medietidsskrift, 15(4), 73-78. http://www.idunn.no/ts/nmt/2009/01/bokanmeldelser
  • Open Access
    Elsaesser, T. (2009). Ingmar Bergman in the museum? Thresholds, limits, conditions of possibility. Journal of Aesthetics & Culture, 1. https://doi.org/10.3402/jac.v1i0.2123
  • Open Access
    Elsaesser, T. (2009). Histoire palimpseste, mémoires obliques. À propos de 'Sterne' de Konrad Wolf. 1895, 58, 10-29. http://1895.revues.org/3953
  • Open Access
    Elsaesser, T. (2009). Rainer Werner Fassbinder: hoe men Duitser wordt. In F. Boterman, & W. Melching (Eds.), Het wonder Bondsrepubliek in 20 portretten (pp. 150-163, 327-328). Nieuw Amsterdam.
  • Open Access
    Siewert, S. W. (2009). Entgrenzungsfilme : Jugend, Musik, Affekt, Gedächtnis : eine pragmatische Poetik zeitgenössischer europäischer Filme. [Thesis, fully internal, Universiteit van Amsterdam].
  • Elsaesser, T. (2008). Freud e i media tecnologici: la perdurante magia del Wunderblock. In L. Albano, & V. Pravadelli (Eds.), Cinema e psicoanalisi: tra cinema classico e nuove tecnologie (pp. 81-108). Quodlibet.
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