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Results: 201
Number of items: 201
  • Pisters, P. (2011). The Neuro-Image: Alain Resnais's Digital Cinema without the Digits. Zeitschrift für Medien- und Kulturforschung, 2011(2), 23-38. http://www.ingentaconnect.com/content/meiner/zmk/2011/00002011/00000002/art00003
  • Open Access
    Pisters, P. (2011). Flashforward: the future is now. Deleuze Studies, 5(suppl.), 98-115. https://doi.org/10.3366/dls.2011.0039
  • Open Access
    Pisters, P. (2011). The mosaic film: nomadic style and politics in transnational media culture. In M. Bal, & M. Á. Hernandez-Navarro (Eds.), Art and visibility in migration culture: conflict, resistance and agency (pp. 175-190). (Thamyris intersecting: place, sex, and race; No. 23). Rodopi. http://www.ingentaconnect.com/content/rodopi/tham/2011/00000023/00000001/art00011
  • Open Access
    Pisters, P. (2011). Synaptic signals: time travelling through the brain in the neuro-image. Deleuze Studies, 5(2), 261-274. https://doi.org/10.3366/dls.2011.0020
  • Open Access
    Pisters, P. (2010). Filming the times of Tangier: nostalgia, postcolonial agency, and preposterous history. In D. Iordanova, D. Martin-Jones, & B. Vidal (Eds.), Cinema at the periphery (pp. 175-189). (Contemporary approaches to film and television series). Wayne State University Press.
  • Open Access
    Pisters, P. (2010). Violence and laughter: paradoxes of nomadic thought in postcolonial cinema. In S. Bignall, & P. Patton (Eds.), Deleuze and the postcolonial (pp. 201-219). (Deleuze connections). Edinburgh University Press.
  • Open Access
    Pisters, P. (2010). Logistics of perception 2.0: multiple screen aesthetics in Iraq War films. Film-Philosophy, 14(1), 232-252. http://www.film-philosophy.com/index.php/f-p/article/view/221/179
  • Open Access
    Pisters, P. (2010). Numbers and fractals: neuroaesthetics and the scientific subject. In P. Gaffney (Ed.), The force of the virtual: Deleuze, science, and philosophy (pp. 229-251). University of Minnesota Press.
  • Pisters, P. (2009). Logistics of perception 2.0: multiple screen aesthetics in Iraq War films. Regards, 11, 65-80.
  • Pisters, P. (2009). Illusionary perception and cinema: experimental thoughts on film theory and neuroscience. In M. Poster, & D. Savat (Eds.), Deleuze and new technology (pp. 224-240). (Deleuze connections). Edinburgh University Press.
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