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Results: 137

Number of items: 137

Maussen, M., Bader, V., & Moors, A. (2011). Colonial and post-colonial governance of Islam: continuities and ruptures. (IMISCOE research). Amsterdam University Press. http://www.oapen.org/search?identifier=408876;keyword=Colonial and post-colonial governance of Islam: continuities and ruptures
Moors, A. (2011). Colonial traces? Islamic dress, gender and the public presence of Islam. IMISCOE Research, 135-155. http://www.oapen.org/search?identifier=408876
Moors, A. (2010). Presenting people: the politics of picture postcards of Palestine/Israil. In D. Prochaska, & J. Mendelson (Eds.), Postcards: ephemeral histories of modernity (pp. 93-105). (Refiguring Modernism; No. 15). Pennsylvania State University Press.
Moors, A. (2010). Muslim dress and the head-scarf debate. In L. Skov (Ed.), Berg encyclopedia of world dress and Fashion. - Vol. 8: West Europe (pp. 439-442). Berg. https://doi.org/10.2752/BEWDF/EDch8072
Moors, A. (2010). 'Islamic Fashion' in Europe: religious conviction, aesthetic style, and creative consumption. In R. Reyes-Ruiz (Ed.), Engaging otherness (pp. 187-213). (Encounters; No. 1). I.B. Tauris.
Moors, A. (2010). Comment. Material Religion, 6(1), 112-114. https://doi.org/10.2752/174322010X12663379393495
Moors, A. (2010). Fear of small numbers? Debating face-veiling in the Netherlands. In S. Sayyid, & A. Vakil (Eds.), Thinking through islamophobia: global perspectives (pp. 157-164). Hurst.
Johnson, P., Abu Nahlah, L., & Moors, A. (2010). al-a’ras wa l-harb, tartabiyat al-zawaj was ihtifalatuhu khilal al-intifadatayn al-filastiniyatayn. Journal of Middle East Women's Studies, 5, 15-32. http://www.academia.edu/2127742/_2011_al-aras_wa_l-harb_tartabiyat_al-zawaj_was_ihtifalatuhu_khilal_al-intifadatayn_al-filastiniyatayn_in_Arabic_
Moors, A., & Salih, R. (2009). Muslim women in Europe: secular normativities, bodily performances and multiple publics. Social Anthropology, 17(4), 375-378. https://doi.org/10.1111/j.1469-8676.2009.00090.x
Moors, A. (2009). "Islamic fashion" in Europe: religious conviction, aesthetic style, and creative consumption. Encounters, 1(1), 175-201.

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