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Results: 75
Number of items: 75
  • Open Access
    Velthuis, O. (2012). The museum and the market. In M. Rosler, & S. Resnick (Eds.), The meta/monumental garage sale standard. - Issue 2 (pp. 11-12). Museum of Modern Art. http://www.moma.org/interactives/exhibitions/2012/garagesale/garagesale2.pdf
  • Open Access
    Velthuis, O. (2012). Introduction: the contemporary art market between stasis and flux. In M. Lind, & O. Velthuis (Eds.), Contemporary art and its commercial markets: a report on current conditions and future scenarios (pp. 17-50). Sternberg Press.
  • Velthuis, O. (2011). Damien’s dangerous idea: valuing contemporary art at auction. In J. Beckert, & P. Aspers (Eds.), The worth of goods: valuation and pricing in the economy (pp. 178-200). Oxford University Press.
  • Velthuis, O. (2011). Art markets. In R. Towse (Ed.), A handbook of cultural economics. - 2nd ed. (pp. 33-42). Edward Elgar.
  • Velthuis, O. (2011). Art dealers. In R. Towse (Ed.), A handbook of cultural economics (2nd ed., pp. 28-32). Edward Elgar.
  • Open Access
    Velthuis, O. (2011). Vermogensverhoudingen in Nederland na de kredietcrisis. In C. Brinkgreve, M. van den Haak, B. van Heerikhuizen, J. Heilbron, & G. Kuipers (Eds.), Cultuur en ongelijkheid (pp. 6-21). AMB.
  • Open Access
    Velthuis, O. (2011). The Venice effect. The Art Newspaper (International Edition), 20(225), 21-24.
  • Velthuis, O. (2010). [Review of: D. Stark (2009) The sense of dissonance: accounts of worth in economic life]. American Journal of Sociology, 116(3), 1010-1012. https://doi.org/10.1086/657395
  • Velthuis, O., & Noordegraaf-Eelens, L. (2009). Op naar de volgende crisis! Over het verleidend vermogen van de financiële markt. Klement.
  • Velthuis, O. (2009). De voorbode van een nieuw kunstenlandschap = Prelude to a new artisitc landscape. In D. Kessler (Ed.), Art fairs: mise-en-scènes from the art world (pp. 52-57). D'jonge Hond.
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