Search results

  • Full text

  • Document type

    • Publication year

  • Organisation

Results: 66
Number of items: 66
  • Open Access
    Birdsall, C., Boletsi, M., Sapir, I., & Verstraete, P. (2009). Introduction. In C. Birdsall, M. Boletsi, I. Sapir, & P. Verstraete (Eds.), Inside knowledge: (un)doing ways of knowing in the humanities (pp. 1-13). Cambridge Scholars. http://www.cambridgescholars.com/inside-knowledge-16
  • Birdsall, C., & Enns, A. (2008). Sonic mediations: body, sound, technology. Cambridge Scholars. http://www.cambridgescholars.com/sonic-mediations-25
  • Birdsall, C. (2008). Sound bites! Dissonant audiovisions as historiophony in Hitler's Hit Parade. In C. Birdsall, & A. Enns (Eds.), Sonic mediations: body, sound, technology (pp. 259-275). Cambridge Scholars.
  • Open Access
    Birdsall, C., & Enns, A. (2008). Introduction. In C. Birdsall, & A. Enns (Eds.), Sonic mediations: body, sound, technology (pp. 1-9). Cambridge Scholars.
  • Birdsall, C. (2007). 'Affirmative resonances' in the city? Sound, imagination and urban space in early 1930s Germany. In S. Mieszkowski, J. Smith, & M. de Valck (Eds.), Sonic interventions (pp. 57-86). (Thamyris intersecting: place, sex, and race; No. 18). Rodopi. http://www.ingentaconnect.com/content/rodopi/tham/2008/00000018/00000001/art00004
  • Birdsall, C. (2007). All of Germany listens to the Führer: radio's acoustic space and 'imagined listening community' in Nazi Germany. In R. Bandt, M. Duffy, & D. MacKinnon (Eds.), Hearing places: sound, place, time and culture (pp. 192-201 + cd-tracks 17, 18). Cambridge Scholars Publishers.
Page 7 of 7