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Results: 475
Number of items: 475
  • Open Access
    Elsaesser, T. (2011). Il ritorno del 3D: lociga e genealogie dell'immagine del XXI Secolo. Imago: studi di cinema e media, 2011(1), 49-68. https://doi.org/10.1400/188761
  • Open Access
    Elsaesser, T. (2011). Reexaminando el cine de atracciones: cambios epistémicos, realineamientos diegéticos y el retorno de Rube en los medios digitales. Imagofagia, 3. http://www.asaeca.org/imagofagia/sitio/index.php?option=com_content&view=article&id=136%3Areexaminando-el-cine-de-atracciones-cambios-epistemicos-realineamientos-diegeticos-y-el-retorno-de-rube-en-los-medios-digitales&catid=40&Itemid=84
  • Open Access
    Elsaesser, T. (2011). Kodak Carousel. In D. Link, & N. Röller (Eds.), Objects of knowledge of art and of friendship: a small technical encyclopaedia for Siegfried Zielinski (pp. 68-71). Institut für Buchkunst.
  • Open Access
    Elsaesser, T. (2011). Mellom abstraksjon og stofflighet: lyd, kropp, stemme. Z, 2011(1), 56-72. http://znett.com/2011/02/mellom-abstraksjon-og-stofflighet-lyd-kropp-stemme/
  • Open Access
    Poulaki, M. (2011). Before or beyond narrative? Towards a complex systems theory of contemporary films. [Thesis, externally prepared, Universiteit van Amsterdam]. Rozenberg.
  • Elsaesser, T. (2010). Hitting bottom: Aki Kaurismäki and the abject subject. Journal of Scandinavian Cinema, 1(1), 105-122. https://doi.org/10.1386/jsca.1.1.105_1
  • Elsaesser, T. (2010). Haptic vision and consumerism: a moment from Fritz Lang's 'Siegfried' (1924). In T. Brown, & J. Walters (Eds.), Film moments: criticism, history, theory (pp. 70-73). (A BFI book). Palgrave Macmillan.
  • Elsaesser, T. (2010). Berlin 'Isle de Memoire': mediale Spuren einer Geschichte auf der Suche nach ihrem Familienroman. In S. Costagli, & M. Galli (Eds.), Deutsche Familienromane: literarische Genealogien und internationaler Kontext (pp. 233-250). Wilhelm Fink.
  • Elsaesser, T. (2010). Inside the mind, a soul of dynamite? Fantasy, vision machines, and homeless souls in Weimar cinema. In L. Kardish (Ed.), Weimar cinema, 1919-1933: daydreams and nightmares (pp. 24-43). Museum of Modern Art.
  • Elsaesser, T. (2010). Performative self-contradictions: Michael Haneke's mind games. In R. Grundmann (Ed.), A companion to Michael Haneke (pp. 53-74). (Wiley-Blackwell companions to film directors; No. 1). Wiley-Blackwell. https://doi.org/10.1002/9781444320602.ch1
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