Search results

  • Full text

  • Document type

    • Publication year

  • Organisation

Results: 475
Number of items: 475
  • Elsaesser, T. (1981). Shock corridor. In B. Nichols (Ed.), Movies and methods. Vol. 1 (pp. 290-296). University of California Press.
  • Elsaesser, T. (1981). Narrative cinema and audience aesthetics. In T. Bennett (Ed.), Popular television and film: a reader (pp. 270-282). BFI / Open University.
  • Elsaesser, T. (1980). Murder, merger, suicide: the politics of 'Despair'. In T. Rayns (Ed.), Fassbinder (pp. 37-53). British Film Institute.
  • Elsaesser, T. (1980). Primary identification and the historical subject. CinĂ©-tracts, 11(fall), 43-52.
  • Elsaesser, T. (1979). Tales of Hoffmann. In I. Christie (Ed.), Powell, Pressburger and others (pp. 62-65). British Film Institute.
  • Elsaesser, T., & Fluck, W. (1978). Zur Problematik der Interpretation populärer Kultur. Amerikastudien, 23(spring).
  • Elsaesser, T. (1977). Pasolini and Bertolucci. In P. Willemen (Ed.), Pier Paolo Pasolini (pp. 37-40). British Film Institute.
  • Elsaesser, T. (1976). The postwar German cinema. In T. Rayns (Ed.), Fassbinder (pp. 1-16). British Film Institute.
  • Elsaesser, T. (1976). A cinema of vicious circles. In T. Rayns (Ed.), Fassbinder (pp. 24-36). British Film Institute.
  • Elsaesser, T. (1976). Screen violence: a clockwork orange. In C. W. E. Bigsby (Ed.), Approaches to popular culture Edward Arnold.
Page 45 of 48