Search results

  • Full text

  • Document type

    • Publication year

  • Organisation

Results: 76
Number of items: 76
  • Kharchenkova, S., & Velthuis, O. (2015). An evaluative biography of cynical realism and political pop. In A. Berthoin Antal, M. Hutter, & D. Stark (Eds.), Moments of valuation: exploring sites of dissonance (pp. 108-130). Oxford University Press. https://doi.org/10.1093/acprof:oso/9780198702504.003.0006
  • Velthuis, O. (2015). Are we in a new era of the art market? In C. Behnke, C. Kastelan, V. Knoll, & U. Wuggenig (Eds.), Art in the periphery of the center (pp. 456-465). Sternberg Press.
  • Velthuis, O., & Baia Curioni, S. (2015). Making markets global. In O. Velthuis, & S. Baia Curioni (Eds.), Cosmopolitan canvases: the globalization of markets for contemporary art (pp. 1-28). Oxford University Press. https://doi.org/10.1093/acprof:oso/9780198717744.003.0001
  • Open Access
    van der Laan, E. C. (2015). Why fashion models don’t smile: Aesthetic standards and logics in the field of fashion images, 1982-2011. [Thesis, fully internal, Universiteit van Amsterdam].
  • Open Access
    Velthuis, O. (2015). Making Monetary Markets Transparent: The European Central Bank’s communication policy and its interactions with the media. Economy and Society, 44(2), 316-340. https://doi.org/10.1080/03085147.2015.1013355
  • Open Access
    Kharchenkova, S., Komarova, N., & Velthuis, O. (2015). Official art organizations in the emerging art markets of China and Russia. In O. Velthuis, & S. Baia Curioni (Eds.), Cosmopolitan canvases: the globalization of markets for contemporary art (pp. 78-101). Oxford University Press. https://doi.org/10.1093/acprof:oso/9780198717744.003.0004
  • Open Access
    Franssen, T. P. (2015). How books travel: Translation flows and practices of Dutch acquiring editors and New York literary scouts, 1980-2009. [Thesis, fully internal, Universiteit van Amsterdam].
  • Open Access
    Gnyp, M. (2015). The art world of cosmopolitan collectors: In relation to mediators, institutions and producers. [Thesis, externally prepared, Universiteit van Amsterdam].
  • Velthuis, O. (2014). Morele paniek op de kunstmarkt. Metropolis M, tijdschrift over hedendaagse kunst, 35(5), 52-55.
  • Open Access
    Velthuis, O., & Kharchenkova, S. (2014). Kleine of Grote Hans? Over Dai Hanzhi: 5000 artists in Witte de With, Rotterdam. De Witte Raaf, 29(172), 13. http://www.dewitteraaf.be/artikel/detail/nl/4051
Page 5 of 8