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Results: 55
Number of items: 55
  • Open Access
    Wolfsberger, A., & Dekker, A. (2018). Put Evaluation into Practice: The Collaborative Residency Life Cycle. In R. Adebayo, I. Farouk, S. Jones, & M. Rapeane-Mathonsi (Eds.), Proceedings of the 24th International Symposium on Electronic Art (pp. 247-252). Faculty of Arts and Design, Durban University of Technology. http://www.isea-archives.org/docs/2018/proceedings/ISEA2018_Proceedings.pdf
  • Dekker, A., & Barok, D. (2017). Copying as a Way to Start Something New: A Conversation with Dušan Barok about Monoskop. In A. Dekker (Ed.), Lost and Living (in) Archives: Collectively Shaping New Memories (pp. 211-226). Valiz. https://monoskop.org/images/7/70/Dekker_Annet_2017_Copying_As_a_Way_to_Start_Something_New_A_Conversation_with_Dusan_Barok_About_Monoskop.pdf
  • Dekker, A. (2017). Digitalisierung und kulturelles Erbe: Von der Expansion der Betrachter zu einer neuen Form des Kolonialismus. Kunstforum, 251, 66-73.
  • Dekker, A., Giannachi, G., & van Saaze, V. (2017). Expanding Documentation, and Making the Most of ‘the Cracks in the Wall'. In T. Sant (Ed.), Documenting Performance: The Context and Processes of Digital Curation and Archiving (pp. 61-78). Bloomsbury. https://doi.org/10.5040/9781472588210.ch-005
  • Dekker, A. (2017). What we talk about when we talk about online cultures. In E. Reyes-Garcia, P. Chatel-Innocenti, & K. Zreik (Eds.), Archiving and Questioning Immateriality: Proceedings of the 5th Computer Art Congress (pp. 147-163). Europia Productions.
  • Dekker, A. (Ed.) (2017). Lost and Living (in) Archives: Collectively Shaping New Memories. Valiz.
  • Dekker, A. (2016). Enabling the Future, or how to survive FOREVER. In C. Paul (Ed.), A Companion to Digital Art (pp. 553-574). (Wiley Blackwell Companions to art history; Vol. 9). Wiley Blackwell. https://doi.org/10.1002/9781118475249.ch26
  • Dekker, A. (2016). Exploring the conservation of net art: A call for authentic alliances. In E. Hermens, & F. Robertson (Eds.), Authenticity in transition: Changing practices in art making and conservation: Proceedings of the international conference held at the University of Glasgow, 1-2 December 2014 (pp. 179-188). Archetype Publications.
  • Dekker, A. (2014). A Fun Aesthetic and Art. In O. Goriunova (Ed.), Fun and Software: Exploring Pleasure, Paradox, and Pain in Computing (pp. 233-252). Bloomsbury Publishing. http://aaaan.net/a-fun-aesthetic-and-art/
  • Open Access
    Dekker, A. (2014). Re-Collecting the Museum: [Review of: R. Rinehart & J. Ippolito (2014) Re-collection : Art, New Media, and Social Memory]. Computational Culture, 4. http://computationalculture.net/review/re-collecting-the-museum
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