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Results: 66
Number of items: 66
  • Open Access
    Birdsall, C. (2015). Die urbanen Soundscapes des Luftkriegs: Forschungsperspektiven aus Sound Studies, Geschichts- und Medienwissenschaft. Geschichte in Wissenschaft und Unterricht, 66(11/12), 681-702.
  • Open Access
    Birdsall, C. (2015). Can We Invent a Field Called "Radio Preservation Studies"? FlowTV, 21. http://flowtv.org/2015/05/can-we-invent-a-field-called-radio-preservation-studies/
  • Open Access
    Birdsall, C., Parry, M., & Tkaczyk, V. (2015). Listening to the Mind: Tracing the Auditory History of Mental Illness in Archives and Exhibitions. The Public Historian, 37(4), 47-72. https://doi.org/10.1525/tph.2015.37.4.47
  • Open Access
    Birdsall, C. (2015). Resounding city films: Vertov, Ruttmann and early experiments with documentary sound aesthetics. In H. Rogers (Ed.), Music and sound in documentary film (pp. 20-40). (Routledge Music and screen media series). Routledge. http://www.routledge.com/books/details/9780415728669/
  • Birdsall, C. (2014). Long Range Acoustic Device (LRAD Corporation). Web publication or website http://designandviolence.moma.org/long-range-acoustic-device-lrad-corporation/
  • Open Access
    Birdsall, C. (2014). Sound Aesthetics and the Global Imagination in German Media Culture around 1930. In D. Morat (Ed.), Sounds of modern history: auditory cultures in 19th- and 20th-century Europe (pp. 256-277). Berghahn.
  • Open Access
    Birdsall, C., Missfelder, J.-F., Morat, D., & Schleif, C. (2014). Forum: The Senses. German History, 32(2), 256-273. https://doi.org/10.1093/gerhis/ghu034
  • Open Access
    Birdsall, C. (2014). Sound. In M. Kelly (Ed.), Encyclopedia of aesthetics. - 2nd ed. - Vol. 6 (pp. 23-27). Oxford University Press.
  • Open Access
    Birdsall, C. (2013). [Review of: M. Forman (2012) One night on TV is worth weeks at the Paramount: popular music on early television]. Screen, 54(3), 417-420. https://doi.org/10.1093/screen/hjt028
  • Open Access
    Birdsall, C. (2013). Die Orchestrierung urbaner Akustik: dokumentarische Form, akustische Medien und die moderne Stadt. In V. Kamensky, & J. Rohrhuber (Eds.), Ton: Texte zur Akustik im Dokumentarfilm (pp. 74-97). (Texte zum Dokumentarfilm; No. 15). Vorwerk 8.
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