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Results: 82
Number of items: 82
  • Open Access
    Schnetz, K., Gambardella, A. A., van Elsas, R., Rosier, J., Steenwinkel, E. E., Wallert, A., Iedema, P. D., & Keune, K. (2020). Evidence for the catalytic properties of ultramarine pigment. Journal of Cultural Heritage, 45, 25-32. https://doi.org/10.1016/j.culher.2020.04.002
  • Open Access
    Baij, C. L. M. (2020). A molecular perspective on the cleaning of oil paintings. [Thesis, externally prepared, Universiteit van Amsterdam].
  • Open Access
    Gambardella, A. A., Cotte, M., de Nolf, W., Schnetz, K., Erdmann, R., van Elsas, R., Gonzalez, V., Wallert, A., Iedema, P. D., Eveno, M., & Keune, K. (2020). Sulfur K-edge micro- and full-field XANES identify marker for preparation method of ultramarine pigment from lapis lazuli in historical paints. Science Advances, 6(18), Article eaay8782. https://doi.org/10.1126/sciadv.aay8782
  • Open Access
    Beerse, M., Keune, K., Iedema, P., Woutersen, S., & Hermans, J. (2020). Evolution of Zinc Carboxylate Species in Oil Paint Ionomers. ACS Applied Polymer Materials, 2(12), 5674–5685. https://doi.org/10.1021/acsapm.0c00979
  • Open Access
    van Loon, A., Gambardella, A. A., Gonzalez, V., Cotte, M., De Nolf, W., Keune, K., Leonhardt, E., de Groot, S., Proaño Gaibor , A. N., & Vandivere, A. (2020). Out of the blue: Vermeer's use of ultramarine in Girl with a Pearl Earring. Heritage Science, 8, Article 25. https://doi.org/10.1186/s40494-020-00364-5
  • Cotte, M., De Nolf, W., Gambardella, A., Gonzalez, V., Keune, K., Schnetz, K., Erdmann, R., van Elsas, R., Gonzalez, V., Wallert, A., & Eveno, M. (2019). Sulfur K-edge Micro- and Full-field XANES Identifies Marker for Preparation Method of Ultramarine Pigment from Lapis Lazuli in Historical Paints [Data set]. European Synchrotron Radiation Facility. https://doi.org/10.15151/esrf-dc-186933507
  • Open Access
    Baij, L., Chassouant, L., Hermans, J. J., Keune, K., & Iedema, P. D. (2019). The concentration and origins of carboxylic acid groups in oil paint. RSC Advances, 9(61), 35559-35564. https://doi.org/10.1039/c9ra06776k
  • Keune, K. (2019). New Tools for Old Masters: Conserving precious paintings for the art lovers of the future. The Analytical Scientist, 78, 28-29. https://theanalyticalscientist.com/fields-applications/new-tools-for-old-masters#
  • Open Access
    Baij, L., Astefanei, A., Hermans, J., Brinkhuis, F., Groenewegen, H., Chassouant, L., Johansson, S., Corthals, G., Tokarski, C., Iedema, P., & Keune, K. (2019). Solvent-mediated extraction of fatty acids in bilayer oil paint models: a comparative analysis of solvent application methods. Heritage Science, 7, Article 31. https://doi.org/10.1186/s40494-019-0273-y
  • Open Access
    Price, S. W. T., Van Loon, A., Keune, K., Parsons, A. D., Murray, C., Beale, A. M., & Mosselmans, J. F. W. (2019). Unravelling the spatial dependency of the complex solid-state chemistry of Pb in a paint micro-sample from Rembrandt's Homer using XRD-CT. Chemical Communications, 55(13), 1931-1934. https://doi.org/10.1039/c8cc09705d
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