Search results

  • Full text

  • Document type

    • Publication year

  • Organisation

Results: 102
Number of items: 102
  • Open Access
    Witte, A., & Hopkins, A. (2016). Hans Rose, Commentary to Heinrich Wölfflin, Renaissance and Baroque, fourth edition, Munich: Bruckmann, 1926, 181-328: translation. Journal of Art Historiography, 14, Article WHR1. https://arthistoriography.files.wordpress.com/2016/05/witte-hopkins-rose-trans.pdf
  • Ronnes, H., & Witte, A. (2015). The Dutch Renaissance in a straightjacket: recent research on Netherlandish Art and Architecture in the Netherlands. Explorations in Renaissance Culture, 41(1), 94-115. https://doi.org/10.1163/23526963-04101005
  • Witte, A. (2015). De geschiedenis van De Nationale Opera, 1965-2015: Een reconstructie. In P. Audi, K. Bertisch, L. Kruyt, E. van der Plas, & K. Röttger (Eds.), Si può? De Nationale Opera 50 Jaar = Dutch National Opera 50 years (pp. 37-41). nai010.
  • Open Access
    Witte, A. (2015). 'Maniera sfumata, dolce, e vaga': the recent canonization of Federico Barocci. Perspective : la revue de l’INHA, 2015(1), 161-168. https://doi.org/10.4000/perspective.5818
  • Open Access
    Witte, A. (2015). Wölfflin's Grundbegriffe as a psychological palimpsest? [Review of: J. Blower, E. Levy, T. Weddigen (2015) Principles of Art History : The problem of the development of style in early modern art. Heinrich Wölfflin : a new translation, edited and with essays]. Journal of Art Historiography, 13. https://www.proquest.com/scholarly-journals/principles-art-history-one-hundredth-anniversary/docview/1772449365/se-2
  • Witte, A. (2014). Passeri's Vite. The Swan Song of the Counter-Reformation Theory of 'Living Art'. In C. van Eck, J. van Gastel, & E. van Kessel (Eds.), The secret lives of artworks: exploring the boundaries between art and life (pp. 200-220). Leiden University Press.
  • Witte, A. (2014). Stilistisch fout, moreel fout, persoonlijk fout? De Kultuurkamer als 'dadererfgoed' [Bespreking van: C. Wesselink (2014) Kunstenaars van de Kultuurkamer: geschiedenis en herinnering]. Boekman, 26(100), 124-125.
  • Witte, A. (2014). Kat. nr. 57: Pieter Sluiter (1675-ca. 1713) nach Jan Goeree (1670-1731): Das Pantheon alt und neu. In S. Frommel, & E. Leuschner (Eds.), Architektur- und Ornamentgraphik der frühen Neuzeit: Migrationsprozesse in Europa = Gravures d'architecture et d'ornement au début de l'époque moderne: processus de migration en Europe (pp. 124-125). Campisano Editore.
  • Witte, A. (2014). Architecture and Bureaucracy: The Quirinal as an Expression of Papal Absolutism. Melbourne Art Journal, 13, 162-177. http://www.lerma.it/frSchedaTitolo.php?key=00012886
  • Open Access
    Witte, A. (2014). Verslag: Statuomanie, opportunisme en idealen: Politieke dimensies van kunst in de negentiende eeuw. Web publication or website, Historici.nl. https://www.historici.nl/nieuws/verslag-statuomanie-opportunisme-en-idealen-politieke-dimensies-van-kunst-de-negentiende-eeuw
Page 5 of 11