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Results: 87
Number of items: 87
  • Open Access
    Schep, M., van Boxtel, C., & Noordegraaf, J. (2018). Post-observation conversations in the museum: using the self-evaluation of the supervisee as the starting point. Museum Management and Curatorship, 33(5), 506-523. https://doi.org/10.1080/09647775.2018.1501602
  • Open Access
    Noordegraaf, J., Lotze, K., & Boter, J. (2018). Writing Cinema Histories with Digital Databases: The Case of Cinema Context. Tijdschrift voor Mediageschiedenis, 21(2), 106-126. https://doi.org/10.18146/2213-7653.2018.369
  • Open Access
    Schep, M., van Boxtel, C., & Noordegraaf, J. (2018). Competent museum guides: defining competencies for use in art and history museums. Museum Management and Curatorship, 33(1), 2-24. https://doi.org/10.1080/09647775.2017.1387590
  • Noordegraaf, J. J. (2018, July 26). Overview of publications reporting use of Cinema Context.xlsx [Data set]. Universiteit van Amsterdam. https://doi.org/10.21942/uva.6843848.v1
  • Noordegraaf, J. J. (2018, July 26). Seating capacity cinemas EU West 1955 [Data set]. Universiteit van Amsterdam. https://doi.org/10.21942/uva.5697034.v1
  • Melgar Estrada, L., Hielscher, E., Koolen, M., Olesen, C. G., Noordegraaf, J., & Blom, J. (2017). Film analysis as annotation: Exploring current tools and their affordances. The moving image, 17(2), 40-70. https://doi.org/10.5749/movingimage.17.2.0040
  • Ceolin, D., Aroyo, L., & Noordegraaf, J. (2017). Supporting Digital Humanities in Dealing with Quality of Web Documents. In Abstracts DHBenelux 2017 conference: Wednesday 5 July 2017 (pp. 74-77). Utrecht University. https://dhbenelux2017.eu/wp-content/uploads/sites/187/2017/06/Abstracts_DHBenelux_Wednesday.pdf
  • Open Access
    Olesen, C. G. (2017). Film history in the making: Film historiography, digitised archives and digital research dispositifs. [Thesis, fully internal, Universiteit van Amsterdam].
  • Open Access
    Noordegraaf, J., Visser, J., Boter, J., Biltereyst, D., Meers, P., & Kisjes, I. (2017). (Not) Going to the movies: A geospatial analysis of cinema markets in The Netherlands and Flanders (1950-1975). In R. Lewis, C. Raynor, D. Forest, M. Sinatra, & S. Sinclair (Eds.), DH2017: Digital Humanities 2017: Conference Abstracts: McGill University & Université de Montréal Montréal, Canada August 8 – 11, 2017 (pp. 545-547). McGill University. https://dh2017.adho.org/abstracts/DH2017-abstracts.pdf
  • Noordegraaf, J. (2016). The Analog Film Projector in Marijke van Warmerdam's Digitized Film Installations. In G. Fossati, & A. van den Oever (Eds.), Exposing the Film Apparatus: The Film Archive as a Research Laboratory (pp. 211-221, 403-405). (Framing Film). Amsterdam University Press.
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