Bal, M. G., & Rust, S. F. (1998). Schweben zwischen Gegenstand und Ereignis: Begegnungen mit Lili Dujourie. Fink.
Bal, M. G. (1998). Semiotics and art history: a discussion of context and senders. In D. Preziosi (Ed.), The art of art history: a critical anthology (pp. 242-256). (Oxford history of art). Oxford University Press.
Bal, M. G. (1998). Túl a szó-kép oppozíción (an adaptation of Ch. 1 of Reading "Rembrandt": Beyond the Word-Image Opposition). Enigma, 14/15, 132-164.
Bal, M. G. (1998). Hovering between thing and event: Encounters with Lili Dujourie. Kunstverein Munchen.
Korsten, F. W. A. (1998). The Wisdom Brokers. Narrative's Interaction with Arguments in Cultural Critical Texts. [Thesis, fully internal, Universiteit van Amsterdam]. ASCA Press.
Bal, M. G., & Bryson, N. (1998). Semiotics and Art History: A Discussion of Context and Senders. In D. Preziosi (Ed.), The Art of Art History: A Critical Anthology (pp. 242-256). Oxford University Press.
Bal, M. G. (1998). Narrative and the Visual and Literary Arts. In M. Kelly (Ed.), Encyclopedia of Aesthetics (Vol. 3, pp. 328-331). Oxford University Press.
Bal, M. G. (1998). Charles Sanders Pierce. In M. Kelly (Ed.), Encyclopedia of Aesthetics (Vol. 3, pp. 448-451). Oxford University Press.
Bal, M. G., & Bryson, N. (1998). Semiotics as a Theory of Art. In M. Kelly (Ed.), Encyclopedia of Aesthetics (Vol. 4, pp. 263-267). Oxford University Press.
Bal, M. G. (1997). Documenta X: le parcours. Omnibus, oct., 8-40.