Korsten, F. W. A. (1998). The Wisdom Brokers. Narrative's Interaction with Arguments in Cultural Critical Texts. [Thesis, fully internal, Universiteit van Amsterdam]. ASCA Press.
Bal, M. G., & Bryson, N. (1998). Semiotics and Art History: A Discussion of Context and Senders. In D. Preziosi (Ed.), The Art of Art History: A Critical Anthology (pp. 242-256). Oxford University Press.
Bal, M. G. (1998). Hovering between thing and event: Encounters with Lili Dujourie. Kunstverein Munchen.
Bal, M. G. (1998). A Meagre One Thousand Words for Stefan Germer. Texte zur Kunst, 8(31), 43-45.
Bal, M. G. (1998). Space, Inc., In J. E. Muller, E. W. B. Hess-Luttich, & A. van Zoest (Eds.), Signs & Space / Raum & Zeichen, Proceedings of International Conference on the Semiotics of Space and Culture in Amsterdam (pp. 199-223). Gunter Narr Verlag.
Bal, M. G. (1998). Alter Ego: le regard heteropathique dans A la recherche du temps perdu. In J. Leblanc (Ed.), Texte: Iconicite et Narrativite (pp. 107-125). Trinity College.
Bal, M. G. (1998). Narrative and the Visual and Literary Arts. In M. Kelly (Ed.), Encyclopedia of Aesthetics (Vol. 3, pp. 328-331). Oxford University Press.
Bal, M. G. (1998). Charles Sanders Pierce. In M. Kelly (Ed.), Encyclopedia of Aesthetics (Vol. 3, pp. 448-451). Oxford University Press.
Bal, M. G., & Bryson, N. (1998). Semiotics as a Theory of Art. In M. Kelly (Ed.), Encyclopedia of Aesthetics (Vol. 4, pp. 263-267). Oxford University Press.
Bal, M. G., Elsaesser, T., Pranger, M. B., de Vries, H., & Weststeijn, W. G. (1997). Visions and voices of otherness. (ASCA Brief; No. 2). ASCA Press.