Bal, M. G. (1998). Narrative and the visual and literary arts. In M. Kelly (Ed.), Encyclopedia of aesthetics. Vol. 3 (pp. 328-331). Oxford University Press.
Bal, M. G., & Bryson, N. (1998). Semiotics as a Theory of Art. In M. Kelly (Ed.), Encyclopedia of aesthetics. Vol. 4 (pp. 231-267). Oxford University Press.
Bal, M. G. (1998). Alter ego: le regard hétéropathique dans A la recherche du temps perdu. In J. Leblanc (Ed.), Iconicité et narrativité (pp. 107-125). (Texte; No. 21/22). Trinity College.
Bal, M. G. (1998). Charles Sanders Peirce. In M. Kelly (Ed.), Encyclopedia of aesthetics. Vol. 3 (pp. 448-451). Oxford University Press.
Bal, M. G. (1998). Back to the future: art and its history. Semiotica, 119(3/4), 287-308.
Bal, M. G. (1998). Introduction to Reading "Rembrandt": beyond the word-image opposition. In W.H. Newell (Ed.), Interdisciplinarity: essays from the literature (pp. 363-387). College Entrance Examination Board.
Bal, M. G. (1998). Space, Inc. Kodikas. Supplement, 199-256.
Bal, M. G. (1998). Quoting Caravaggio. In Center 18: Record of Activities and Research Reports, June 1997-May 1998 (pp. 45-48). National Gallery of Art, Center for Advanced Study in the Visual Arts.
Bal, M. G. (1998). Seeing signs: the use of semiotics for the understanding of visual art. In M. A. Cheetham, M. A. Holly, & K. Moxey (Eds.), The subjects of art history: historical objects in contemporary perspectives (pp. 74-93). Cambridge University Press.
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