Elsaesser, T. (1994). The German Post-war Cinema and Hollywood. In R. Kroes, & D. Ellwood (Eds.), Hollywood indEurope. Experiences of a Cultural Hegemony (pp. 283-302). Vrije Universiteit Press.
Elsaesser, T. (1994). Twee Nieuwe Duitse Cinema's. In M. Dominicus (Ed.), Das Kleine Fernsehspiel (pp. 20-28). Filmfestival Rotterdam.
Elsaesser, T. (1994). Ingmar Bergman: the Road to Morocco. Sight and Sound, (april), 22-27.
Elsaesser, T. (1994). What do we Mean by Media History?Geschiedenis, Beeld en Geluid, (28), 19-25.
Elsaesser, T. (1994). The Dandy in Hitchcock. The MacGuffin, (14), 15-21.
Elsaesser, T. (1994). Film and Linguistics. In R. E. Asher (Ed.), The Encyclopedia of Language and Linguistics (pp. 1225-1241). Pergamon Press.
Elsaesser, T. (1994). Moderne und Modernisierung: Der deutsche Film der dreissiger Jahre. Montage/AV, 3/2, 23-40.
Elsaesser, T. (1994). New German cinema: a history. (Reprinted ed.) (British Film Institute Cinema series). Macmillan.
Elsaesser, T. (1994). Melodramma e "temporalita". In V. Zagarrio (Ed.), Studi Americani (pp. 345-357). Marsilio.
Elsaesser, T. (1994). Imagination is like a Muscle: You have to give it Daily Exercise. In R. Kievit, T. P. Elsaesser, & J. A. A. Simons (Eds.), Double Trouble: Chiem van Houweninge on Writing and Filming (pp. 10-15). Amsterdam University Press.