Bal, M. G. (1998). Telling Objects: A Narrative Perspective on Collecting. In R. Cardinal, & J. Elsner (Eds.), The Cultures of Collecting (pp. 123-145). Reaktion Books 1994/Kenkyusha Ltd..
Bal, M. G. (1998). Looking at the Other Side with Lili Dujourie. In The Fascinating Faces of Flanders: 58/98 Two Hours Wide or Two Hours Long (pp. 188-92). City of Antwerp.
Bal, M. G. (1998). Schweben zwischen Gegenstand und Ereignis: Begegnungen mit Lili Dujourie. Kunstverein Munchen.
Pol, C. M. (1998). Discourse on the frame. The making and unmaking of Indonesian women artists. [Thesis, fully internal, Universiteit van Amsterdam]. in eigen beheer.
Bal, M. G. (1998). Seeing Signs: The Use of Semiotics for the Understanding of Visual Art. In M. A. Holly, M. A. Cheetham, & K. Moxey (Eds.), The Subjects of Art History: Historical Objects in Contemporary Perspectives (pp. 74-93). Cambridge University Press.
Bal, M. G. (1998). A Meagre One Thousand Words for Stefan Germer. Texte zur Kunst, 8 / 31, 43-45.
Bal, M. G. (1998). Back to the Future: Art and Its History. Semiotica, 3/4(119), 287-308.
Bal, M. G. (1998). Introduction to Reading "Rembrandt": beyond the word-image opposition. In W.H. Newell (Ed.), Interdisciplinarity: essays from the literature (pp. 363-387). College Entrance Examination Board.
Bal, M. G. (1998). Space, Inc.Kodikas. Supplement, 199-256.
Bal, M. G. (1998). Quoting Caravaggio. In Center 18: Record of Activities and Research Reports, June 1997-May 1998 (pp. 45-48). National Gallery of Art, Center for Advanced Study in the Visual Arts.