Bal, M. G. (1998). A Meagre One Thousand Words for Stefan Germer. Texte zur Kunst, 8(31), 43-45.
Bal, M. G. (1998). Space, Inc., In J. E. Muller, E. W. B. Hess-Luttich, & A. van Zoest (Eds.), Signs & Space / Raum & Zeichen, Proceedings of International Conference on the Semiotics of Space and Culture in Amsterdam (pp. 199-223). Gunter Narr Verlag.
Bal, M. G. (1998). Alter Ego: le regard heteropathique dans A la recherche du temps perdu. In J. Leblanc (Ed.), Texte: Iconicite et Narrativite (pp. 107-125). Trinity College.
Bal, M. G. (1998). Jeanette Christensen's time. Centre for the Study of European Civilization.
Bal, M. G. (1998). Schweben zwischen Gegenstand und Ereignis: Begegnungen mit Lili Dujourie. Kunstverein Munchen.
Bal, M. G. (1998). Telling Objects: A Narrative Perspective on Collecting. In R. Cardinal, & J. Elsner (Eds.), The Cultures of Collecting (pp. 123-145). Reaktion Books 1994/Kenkyusha Ltd..
Bal, M. G. (1998). Seeing Signs: The use of Semiotics for the Understanding of Visual Art. In M. A. Holly, M. A. Cheetham, & K. Moxey (Eds.), The Subjects of Art History: Historical Objects in Contemporary Perspectives (pp. 74-93). Cambridge University Press.
Bal, M. G. (1998). Schweben zwischen Gegenstand und Ereignis: Begegnungen mit Lili Dujourie. Kunstverein Munchen.
Pol, C. M. (1998). Discourse on the frame. The making and unmaking of Indonesian women artists. [Thesis, fully internal, Universiteit van Amsterdam]. in eigen beheer.
Bal, M. G. (1998). Seeing Signs: The Use of Semiotics for the Understanding of Visual Art. In M. A. Holly, M. A. Cheetham, & K. Moxey (Eds.), The Subjects of Art History: Historical Objects in Contemporary Perspectives (pp. 74-93). Cambridge University Press.