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Results: 74
Number of items: 74
  • Meyer, B. (2005). Mediating Tradition: Pentecostal Pastors, African Priests, and Chiefs in Ghanaian Popular Films. In T. Falola (Ed.), Christianity and Social Change in Africa. Essays in Honor of J.D.Y. Peel (pp. 275-306). Carolina Academic Press.
  • Meyer, B. (2004). Christianity in Africa: From African Independent to Pentecostal-Charismatic Churches. Annual Review of Anthropology, 33, 447-474. https://doi.org/10.1146/annurev.anthro.33.070203.143835
  • Meyer, B. (2004). `Praise the Lord....' Popular Cinema and Pentecostalite Style in Ghana's New Public Sphere. American Ethnologist, 31(1), 92-110. https://doi.org/10.1525/ae.2004.31.1.92
  • Meyer, B. (2004). Die Erotik des Bösen. Mami Water als 'christlicher' Dämon in ghanaischen und nigerianischen Videfilmen. In T. Wendl (Ed.), Africa Screams. Die Wiederkehr des Bösen in Kino, Kunst und Kult (pp. 199-210). Peter Hammer Verlag.
  • Meyer, B. (2003). Ghanaian Popular Cinema and the Magic in and of Film. In B. Meyer, & P. Pels (Eds.), Magic and Modernity. Interfaces of Revelation and Concealment (pp. 200-222). Stanford University Press.
  • Meyer, B. (2003). Pentecostalism, Prosperity, and Popular Cinema in Ghana. In Representing Religion in World Cinema. Filmmaking, Mythmaking, Culture Making Palgrave Macmillan.
  • Geschiere, P. L., & Meyer, B. (2003). Globalization and Identity, Dialectics of Flow and Closure. Blackwell.
  • Meyer, B., & Pels, P. J. (2003). Magic and Modernity. Dialectics of Revelation and Concealment. Stanford University Press.
  • Meyer, B. (2003). Editorial. Special issue. Religion and the Media. Journal of Religion in Africa, 33(2), 125-128.
  • Meyer, B. (2003). Visions of Blood, Sex and Money. Fantasy Spaces in Popular Ghanaian Cinema. Visual Anthropology, 16(1), 15-41.
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