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Results: 106
Number of items: 106
  • Witte, A. (2019). [Review of: C. Giometti, L. Lorizzo (2019) Per diletto e per profitto : I Rondinini, le arti e l'Europa]. Bollettino d'Arte, 41, 137-139.
  • Witte, A. A. (2019). Scale, Space and Spectacle: Church decoration in Rome, 1500-1700. In P. M. Jones, B. Wisch, & S. Ditchfield (Eds.), A Companion to Early Modern Rome, 1492-1692 (pp. 459-481). (Brill's Companions to European History; Vol. 17). Brill. https://doi.org/10.1163/9789004391963_026
  • Open Access
    Witte, A. (2019). German Baroque and ‘Sonderrokoko’: canonising and ‘nationalising’ the arts in Germany during the long nineteenth century: [Review of: U. Engel (2018) Stil und Nation: Barockforschung und deutsche Kunstgeschichte, ca. 1830-1933]. Journal of Art Historiography, 21, Article AW1. https://arthistoriography.files.wordpress.com/2019/06/witte-rev.pdf
  • Open Access
    Witte, A., van Kemenade, E., Graaf, N., & Terburg, J. (2019). Codifying the Genre of Early Modern Guidebooks: Oskar Pollak, Ludwig Schudt and the Creation of Le Guide di Roma (1930). In A. Blennow, & S. Fogelberg Rota (Eds.), Rome and The Guidebook Tradition : From the Middle Ages to the 20th Century (pp. 313-338). De Gruyter. https://doi.org/10.1515/9783110615630-009
  • Witte, A. A. (2018). Sociable Solitude: The Early Modern Hermitage as Proto-Museum. In K. A. E. Enenkel, & C. Göttler (Eds.), Solitudo: Spaces, Places, and Times of Solitude in Late Medieval and Early Modern Cultures (pp. 405-450). (Intersections : interdisciplinary studies in early modern culture; Vol. 56). Brill. https://doi.org/10.1163/9789004367432_014
  • Witte, A. (2018). In tune with Italy? Julius von Schlosser and the Musikinstrumentensammlung in the Neue Hofburg. In L. Lorizzo (Ed.), L'Italia di Julius von Schlosser (pp. 113-126). (Vedere e rivedere; Vol. 1). De Luca Editori d'Arte.
  • Witte, A. (2018). Pier Leone Ghezzi's Albums with Drawings: between Studio Practice and Noble Passtimes. In V. Segreto (Ed.), Libri e Album di Disegni 1550-1800: Nuove prospettive metodologiche e di esegesi storico-critica (pp. 169-174). De Luca Editori d'Arte.
  • Witte, A. (2017). Alois Riegl, Die Entstehung der Barockkunst in Rom, 1908. In A. Bacchi, & L. Barroero (Eds.), La riscoperta del Seicento: I libri fondativi (pp. 23-32). Sagep Editori.
  • Kackovic, M., & Witte, A. (2017). De relatie tussen kunst en werknemer: Bedrijfscollecties als casus. Boekman, 29(113), 24-27. https://www.boekman.nl/producten/boekman/boekman-113-de-waarde-van-cultuur
  • Open Access
    Witte, A. (2017). Van sociaaldemocratisch ideaal naar het ego van de CEO: Bedrijfscollecties aan het begin van de eenentwintigste eeuw. De Witte Raaf, 31(186), 16-17. http://www.dewitteraaf.be/artikel/detail/nl/4342
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