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Results: 76
Number of items: 76
  • Open Access
    Weststeijn, T. (2013). The universal art of Samuel van Hoogstraten (1627-1678): painter, writer, and courtier. (Amsterdam Studies in the Dutch Golden Age). Amsterdam University Press. http://www.oapen.org/search?identifier=451722
  • Weststeijn, T. (2012). Translating 'Schilderspraeke': Painters’ Terminology in the Dutch Edition of Franciscus Junius’ The Painting of the Ancients (1637-1641). In H. J. Cook, & S. Dupré (Eds.), Translating Knowledge in the Early Modern Low Countries (pp. 163-196). (Low Countries Studies on the Circulation of Natural Knowledge; No. 3). LIT Verlag.
  • Weststeijn, T. (2012). Idols and Ideals in the Rise of Netherlandish Art Theory. In K. Jonckheere, & R. Suykerbuyk (Eds.), Art after Iconoclasm: Painting in the Netherlands between 1566 and 1585 (pp. 109-130). (Museums at the crossroads; No. 25). Brepols.
  • Open Access
    Weststeijn, T. (2012). "Having No Other Paintings than Their Shields": The Germanic Origins of Art in the Seventeenth Century. Medieval & Renaissance texts & studies, 425, 43-74.
  • Open Access
    Bod, R., Maat, J., & Weststeijn, T. (Eds.) (2012). The making of the humanities. - Volume II: From early modern to modern disciplines. Amsterdam University Press. https://doi.org/10.1515/9789048517336
  • Open Access
    Weststeijn, T. (2012). The Gender of Colors in Dutch Art Theory. In A.-S. Lehmann, F. Scholten, & H. P. Chapman (Eds.), Meaning in Materials, 1400-1800 = Materiaal en betekenis, 1400-1800 (pp. 176-201). (Nederlands Kunsthistorisch Jaarboek = Netherlands Yearbook for History of Art; Vol. 62). Brill. https://doi.org/10.1163/22145966-06201008
  • Weststeijn, T. (2010). 'Signs that signify by themselves': writing with images in the seventeenth century. In R. Bod, J. Maat, & T. Weststeijn (Eds.), The making of the humanities. - Vol. 1: Early Modern Europe (pp. 133-159). Amsterdam University Press.
  • Weststeijn, T. (2010). [Review of: A.S. Lehmann, B. Ramakers (2008) Body and embodiment in Netherlandish art = Lichaam en lichamelijkheid in de Nederlandse kunst]. HNA Review of Books, 2010(1). http://www.hnanews.org/archive/2010/04/nl1.html
  • Weststeijn, T. (2010). Seeing and the transfer of spirits in early modern art theory. In J. S. Hendrix, & C. H. Carman (Eds.), Renaissance theories of vision (pp. 149-169). (Visual culture in early modernity). Ashgate.
  • Weststeijn, T. (2010). Jonge neger bij dageraad: Van Gogh en Barack Obama in een gedicht van Derek Walcott. In R. Esner, & M. Schavemaker (Eds.), Overal Vincent: de (inter)nationale identiteiten van Van Gogh (pp. 23-36, 177-178). Amsterdam University Press.
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