Search results

    Filter results

  • Full text

  • Document type

  • Publication year

  • Organisation

Results: 113
Number of items: 113
  • Open Access
    de Kloet, J., Lin, J., & Chow, Y. F. (2020). ‘We are doing better’: Biopolitical nationalism and the COVID-19 virus in East Asia. European Journal of Cultural Studies, 23(4), 635-640. https://doi.org/10.1177/1367549420928092
  • Open Access
    Vermeeren, L. (2020). Inquisitive ink: A study of contemporary practices of calligraphy in China. [Thesis, fully internal, Universiteit van Amsterdam].
  • Open Access
    Deng, L. (2020). “Be water, my friend”: Non-oppositional criticalities of socially engaged art in urbanising China. [Thesis, fully internal, Universiteit van Amsterdam].
  • de Kloet, J., Chow, Y. F., & Deng, Z. L. (2019). How Does Failure Look Like? In J. de Kloet, Y. F. Chow, & Z. L. Deng (Eds.), The Book of Failure (pp. 7-16). Publication Studio Pearl River Delta. https://chinacreative.humanities.uva.nl/the-book-of-failure-2/
  • Open Access
    de Kloet, J., Chow, Y. F., & Scheen, L. (2019). Introduction: We Must Create? In J. de Kloet, Y. F. Chow, & L. Scheen (Eds.), Boredom, Shanzhai, and Digitisation in the Time of Creative China (pp. 13-38). (Asian Visual Cultures). Amsterdam University Press. https://doi.org/10.2307/j.ctvqr1bnw.4, https://doi.org/10.1515/9789048535538-002
  • Open Access
    Lin, J. (2019). Schizoid creators: Creative work and subjectivity in the Chinese cultural economies. [Thesis, fully internal, Universiteit van Amsterdam].
  • Open Access
    de Kloet, J., Poell, T., Zeng, G., & Chow, Y. F. (2019). The platformization of Chinese Society: infrastructure, governance, and practice. Chinese Journal of Communication, 12(3), 249-256. https://doi.org/10.1080/17544750.2019.1644008
  • Open Access
    Wang, S. (2019). Living with censorship: The political economy and cultural politics of Chinese gay dating apps. [Thesis, fully internal, Universiteit van Amsterdam].
  • Open Access
    Lin, J., & de Kloet, B. (2019). Platformization of the Unlikely Creative Class: Kuaishou and Chinese Digital Cultural Production. Social Media + Society, 5(4). https://doi.org/10.1177/2056305119883430
  • de Kloet, J. (2018). Pure Love? Sanitized, Gendered and Multiple Modernities in Chinese Cinemas. In C. Hudson, & B. Barendregt (Eds.), Globalization and Modernity in Asia : Performative Moments (pp. 195-213). (Asian Visual Cultures; Vol. 3). Amsterdam University Press. https://doi.org/10.5117/9789462981126_ch11
Page 4 of 12