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Results: 475
Number of items: 475
  • Elsaesser, T. (1996). Fassbinder's Lola und die Logik des Mehrwerts, oder: nicht nur wer zahlt, zahlt. In F. Lyotard, T. Elsaesser, & E. Reitz (Eds.), Der zweite Atem des Kinos (pp. 53-88). Verlag der Autoren.
  • Elsaesser, T. (1996). Early German Cinema: A Second Life? In T. Elsaesser (Ed.), A Second Life: German Cinema's First Decades (pp. 9-37). Amsterdam University Press.
  • Spyer, P. E., Bal, M. G., Elsaesser, T., Pranger, B., de Vries, H., & Weststeijn, W. (1996). Brief: Issues in Cultural Analysis, ASCA Yearbook. Kok Pharos.
  • Elsaesser, T. (1996). Flieger, gr mir die Sonne: Österreich und Walter Reisch. In C. Bluemlinger, & R. Beckermann (Eds.), Ohne Untertitel: Kino in Österreich Sonderzahl.
  • Elsaesser, T. (1996). Ernst Lubitsch. In G. Nowell-Smith (Ed.), Oxford World History Oxford UP.
  • Elsaesser, T. (1996). Pragmatik des Audiovisuellen: Rettungsboot auf der Titanic? In G. Schlemmer (Ed.), Kinoschriften (pp. 107-120). Synema.
  • Elsaesser, T. (1996). One Train May Be Hiding Another: History, Memory, Identity. In The Lowlands - Yearbook of Flemish Studies (pp. 121-129). Ons Erfdeel.
  • Elsaesser, T. (1996). Peter Greenaway. In I. Christie, & P. Dodd (Eds.), Spellbound: Art and Film (pp. 76-84). Hayward Gallery/BFI.
  • Elsaesser, T. (1996). Subject Positions, Speaking Positions: From Holocaust and Heimat to Shoah and Schindler's List. In V. Sobchack (Ed.), The Persistence of History (pp. 235-287). Routledge.
  • Elsaesser, T. (1996). What Does Zizek Want? Spektator, 7.
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