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Results: 557
Number of items: 557
  • Bal, M. G. (2000). Crossroad Theory and Travelling Concepts: From Cultural Studies to Cultural Analysis. In J. Baetens, & J. Lambert (Eds.), The Future of Cultural Studies: Essays in Honour of Joris Vlasselaers (pp. 3-21). Leuven University Press.
  • Bal, M. G., & de Vries, H. (2000). Ulrich Baer, Remnants of Song: Trauma and the Expereience of Modernity in Charles Baudelaire an Paul Celan. (New Series 1997). Stanford University Press.
  • Bal, M. G. (2000). Pour une interprétation intempestive. In M. Régis (Ed.), Où en est l'interprétation de l'oeuvre d'art? (pp. 239-67). Musée du Louvre and École Nationale Sup. des Beaux-Arts.
  • Bal, M. G. (2000). Poetics Today. Poetics Today, 21(3), 479-502. https://doi.org/10.1215/03335372-21-3-479
  • Bal, M. G. (2000). Fantasy and the Mirror of Nature. In K. Krüger, & A. Nova (Eds.), Imagination und Wirklichkeit: Zum Verhältnis von metalen und realen Bildern in der Kunst der frühen Neuzeit (pp. 183-94). Verlag Philipp von Zabern.
  • Bal, M. G. (2000). Cultural Analysis. In J. Lambert, & J. Baetens (Eds.), The Future of Cultural Studies: Essays in Honour of Joris Vlasselaers (pp. 3-21). Leuven University Press.
  • Bal, M. G. (2000). Visual Narrativity. In G. Coulter-Smith (Ed.), The Visual-Narrative Matrix: Interdisciplinary Collisions and Collusions (pp. 7-16). Southampton Institute.
  • Bal, M. G. (2000). Sticking Images: the Foreshortening of Time in an Art of Duration. In C. Bailey Gill (Ed.), Time and the Image (pp. 79-99). Manchester University Press.
  • Bal, M. G. (2000). Masterclass. Frame, (aug.2000), 148-150.
  • Bal, M. G. (2000). The Spirit as Parasite. Western Humanities Review, LIII(4), 315-335.
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