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Results: 475
Number of items: 475
  • Elsaesser, T. (1997). What might we mean by media history. In K. Hickethier, E. Müller, & R. Rother (Eds.), Der Film in der Geschichte (pp. 98-105). Sigma.
  • Elsaesser, T. (1997). Traps for the mind and eye: Fritz Lang. Sight and Sound, 7(september), 28-30.
  • Bal, M. G., Elsaesser, T., Pranger, M. B., de Vries, H., & Weststeijn, W. G. (1997). Visions and voices of otherness. (ASCA Brief; No. 2). ASCA Press.
  • Elsaesser, T. (1997). History and hyperbole: the archaeology of interactive systems. In B. Lagerroth, H. Lund, & E. Hedling (Eds.), Interart poetics : essays on the interrelations of the arts and media (pp. 337-340). (Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft; No. 24). Rodopi.
  • Elsaesser, T. (1997). A cinema of vicious circles. In L. Kardish (Ed.), Rainer Werner Fassbinder (pp. 15-25). Museum of Modern Art.
  • Elsaesser, T. (1997). Rappresentare l'irrapresentabile: i film dell'Olocausto. Drammaturgia, 4, 113-138.
  • Elsaesser, T., & Blumlinger, C. (1997). Neue Perspektiven der Filmgeschichte. Österreichische Zeitschrift für Geschichtswissenschaften, 8(4), 567-586.
  • Elsaesser, T. (1997). Berlin - Hollywood - Berlin, or Why are nazi films popular? Sight and Sound, 7(November), 24-27.
  • Elsaesser, T. (1997). Specularity and engulfment: Francis Ford Coppola and Bram Stoker's Dracula. In S. Neale, & M. Smith (Eds.), Contemporary Hollywood cinema (pp. 191-208). Routledge.
  • Elsaesser, T. (1997). Het bedrieglijke beeld. Skrien, 216(september), 41-45.
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