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Results: 557
Number of items: 557
  • Bal, M. G. (2000). The Spirit as Parasite. Western Humanities Review, LIII(4), 315-335.
  • Bal, M. G. (2000). Pour une interprétation intempestive. In M. Régis (Ed.), Où en est l'interprétation de l'oeuvre d'art? (pp. 239-67). Musée du Louvre and École Nationale Sup. des Beaux-Arts.
  • Bal, M. G. (2000). Poetics Today. Poetics Today, 21(3), 479-502. https://doi.org/10.1215/03335372-21-3-479
  • Bal, M. G. (2000). Fantasy and the Mirror of Nature. In K. Krüger, & A. Nova (Eds.), Imagination und Wirklichkeit: Zum Verhältnis von metalen und realen Bildern in der Kunst der frühen Neuzeit (pp. 183-94). Verlag Philipp von Zabern.
  • Bal, M. G., & de Vries, H. (2000). Ulrich Baer, Remnants of Song: Trauma and the Expereience of Modernity in Charles Baudelaire an Paul Celan. (New Series 1997). Stanford University Press.
  • Bal, M. G., & de Vries, H. (2000). Jacques Derrida/Anne Dufourmantelle, Of Hospitality: Anne Dufourmantelle Invites Jacques Derrida to Respond. (New Series 1997). Stanford University Press.
  • Bal, M. G., & de Vries, H. (2000). William Rasch, Niklas Luhmann's Modernity: The Paradoxes of Differentation. Stanford University Press.
  • Bal, M. G., & de Vries, H. (2000). Jean-François Lyotard, The Confession of Augustine. (New Series 1997). Stanford University Press.
  • Bal, M. G. (2000). Memory Acts: Performing Subjectivity. Performance Research, 5(3), 102-114. https://doi.org/10.1080/13528165.2000.10871753
  • Bal, M. G. (2000). Ann Veronica Janssens: Light in Life's Lab/Labo de lumière. La Lettre Volée.
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