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Results: 475
Number of items: 475
  • Elsaesser, T. (1998). El cinema aleman: sus origines y la primera decada. In J. Talens, & S. Zunzunegui (Eds.), Historia general del cine. - Vol. 3: Europa (1908-1918) (pp. 135-158). Cátedra.
  • Elsaesser, T. (1998). Ingmar Bergman - Person and Persona: The Mountain of Modern Cinema on the Road to Morocco. In H. Perridon (Ed.), Strindberg, Ibsen & Bergman: essays on Scandinavian film and drama offered to Egil Törnqvist on the occasion of his 65th birthday (pp. 35-59). Shaker Publishing.
  • Pisters, P. P. R. W. (1998). From eye to brain. Gilles Deleuze: refiguring the subject in film theory. [Thesis, fully internal, Universiteit van Amsterdam]. in eigen beheer.
  • Elsaesser, T. (1998). Convergence, divergence, difference. In T. Elsaesser, & K. Hoffmann (Eds.), Cinema futures: Cain, Abel or cable? The screen arts in the digital age (pp. 9-26). (Film culture in transition). Amsterdam University Press.
  • Elsaesser, T. (1998). Truth or Dare: Reality Checks on Indexicality, or the Future of Illusion. In A. Soderbergh Widding, & A. Koivunnen (Eds.), Cinema Studies into Visual Theory? (pp. 31-50). D-Vision.
  • Elsaesser, T. (1998). Das Kino der Weimarer Republik. In G. Nowell-Smith, & H. M. Bock (Eds.), Die Weltgeschichte des Films (hsg) (pp. 130-142). Metzler.
  • Elsaesser, T. (1997). Zwischen Filmtheorie und cultural studies: mit Kracauer (noch einmal) im Kino. In T. Koebner (Ed.), Idole des deutschen Films (pp. 22-40). Text + Kritik.
  • Elsaesser, T. (1997). Del Kaiser a la crisis de Weimar. In M. Palacio, & J. Perez Perucha (Eds.), Historia general del cine. Vol. 5 (pp. 13-60). (Signo e imagen). Cátedra.
  • Elsaesser, T. (1997). El concepto de cine nacional. Collectivo Eutopias, 166, 1-24.
  • Elsaesser, T. (1997). De vroege filmgeschiedenis: semi-finished? In K. Dibbets (Ed.), Honderd jaar film (pp. 33-50). IISG.
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