Bal, M. G. (2001). Mission Impossible: Postcards, Pictures, and Parasites. In H. de Vries, & S. Weber (Eds.), Religion and Media (pp. 241-68). Stanford University Press.
Bal, M. G. (2001). Louise Bourgeois'Spider: The Architecture of Art-Writing. University of Chicago Press.
Bal, M. G. (2001). Mise en scène: Zur Inszenierung von Subjektivität. In J. Früchtl, & J. Zimmermann (Eds.), Ästhetik der Inszenierung. Dimensionen eines künstlerischen, kulturellen und gesellschaftlichen Phänomens (pp. 198-221). Suhrkamp Verlag.
Bal, M. G. (2001). Legal Lust: Literary Litigations. The Australian Feminist Law Journal, 1-22.
Vojkovic, S. (2001). Subjectivity in the New Hollywood Cinema: Fathers, Sons and Other Ghosts. [Thesis, fully internal, Universiteit van Amsterdam]. ASCA Press.
Beger, N. J. (2001). Que(e)rying political practices in Europe: Tensions in the struggle for sexual minority rights. [Thesis, externally prepared, Universiteit van Amsterdam].
Bal, M. G. (2000). Crossroad Theory and Travelling Concepts: From Cultural Studies to Cultural Analysis. In J. Baetens, & J. Lambert (Eds.), The Future of Cultural Studies: Essays in Honour of Joris Vlasselaers (pp. 3-21). Leuven University Press.
Bal, M. G. (2000). Visual Narrativity. In G. Coulter-Smith (Ed.), The Visual-Narrative Matrix: Interdisciplinary Collisions and Collusions (pp. 7-16). Southampton Institute.
Bal, M. G. (2000). Sticking Images: the Foreshortening of Time in an Art of Duration. In C. Bailey Gill (Ed.), Time and the Image (pp. 79-99). Manchester University Press.
Bal, M. G. (2000). Masterclass. Frame, (aug.2000), 148-150.
