Bal, M. G. (2001). Performance and Performativity. Lier en Boog, 16, 108-124.
Bal, M. G. (2001). Performance and Performitivity. In J. Huber (Ed.), Kultur - Analysen (pp. 197-241). Institut für Theorie der Gestaltung und Kunst.
Bal, M. G. (2001). Three-Way Misreading. Diacritics, 30(1), 2-24.
Bal, M. G. (2001). Enfolding Feminism. In E. Bronfen, & M. Kavka (Eds.), Feminist Consequences: Theory for the New Century (pp. 321-52). Columbia University Press.
Bal, M. G. (2001). Auf die Haut / Unter die Haut: Barock es steigt an die Oberfläche. In P. J. Burgard (Ed.), Barock: Neue Sichtweisen einer Epoche (pp. 17-51). Böhlau Verlag.
Bal, M. G. (2001). Ecstatic aesthetics: Metaphoring Bernini. (Critical Issues series 4/2000). Artspace Visual Art Centre.
Bal, M. G. (2001). La répétition, la tête dans les nuages/Rehearsal, Head in the Clouds. In L. Gateau (Ed.), Action, on tourne/Action, we're Filming (pp. 34-73). Villa Arson.
Bal, M. G. (2001). Voix/voie narrative: la voix métaphorée. In J.-L. Brau (Ed.), La Voix Narrative: Cahier de Narratologie, Vol. 1 (pp. 9-36). Centre de Narratologie Appliquée.
Bal, M. G. (2001). Anthropology with an Attitude: Critical Essays (Johannes Fabian). (Cultural memory in the Present). Stanford University Press.
Bal, M. G. (2001). Postmodern Theology as Cultural Analysis. In G. Ward (Ed.), The Blackwell Companion to Postmodern Theology (pp. 3-23). Blackwell.