Elsaesser, T. (1999). Der Dandy in Mr. Hitchcock. In G. Seesslen, & L. O. Beier (Eds.), Alfred Hitchcock (pp. 21-38). Bertz.
Elsaesser, T. (1999). The Dandy in Hitchcock. In S. Ishii-Gonzales, & R. Allen (Eds.), Alfred Hitchcock Centenary Essays (pp. 3-14). British Film Institute.
Elsaesser, T. (1999). Das Weimarer Kino: aufgeklärt und doppelbödig. Vorwerk 8.
Elsaesser, T., & Wedel, M. (1999). The BFI companion to German cinema. British Film Institute.
Elsaesser, T. (1998). Fantasy Island: dream logic as production logic. In T. Elsaesser, & K. Hoffmann (Eds.), Cinema futures: Cain, Abel or cable? The screen arts in the digital age (pp. 143-158). (Film culture in transition). Amsterdam University Press.
Elsaesser, T., & Wedel, M. (1998). Apocalypse now: the hollow heart of Hollywood. In G. Moore (Ed.), Joseph Conrad on Film (pp. 151-175). Cambridge University Press.
Elsaesser, T. (1998). Raum-Körper: Peter Greenaways re-installation des Kinos. In J. Felix (Ed.), Unter der Haut: Signaturen des Selbst im Kino der Körper (pp. 45-66). Gardez.
Elsaesser, T. (1998). Time, travel, trauma and tresholds. In R. M. Friedmann, & N. Gertz (Eds.), Blurred boundaries (pp. 1-18). (Studies in cinema & television; No. 1). Kolnoa.
Elsaesser, T. (1998). Über den Nutzen der Enttäuschung: Filmkritik zwischen Cinephilie und Nekrophilie. In I. Schenk (Ed.), Filmkritik heute (pp. 91-114). Schüren.
Elsaesser, T. (1998). Louis Lumière: the cinema's first virtualist. In T. Elsaesser, & K. Hoffmann (Eds.), Cinema futures: Cain, Abel or cable? : the screen arts in the digital age (pp. 45-62). (Film culture in transition). Amsterdam University Press.