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Elsaesser, T. (1999). The Dandy in Hitchcock. In S. Ishii-Gonzales, & R. Allen (Eds.), Alfred Hitchcock Centenary Essays (pp. 3-14). British Film Institute.
Elsaesser, T. (1999). Das Weimarer Kino: aufgeklärt und doppelbödig. Vorwerk 8.
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Elsaesser, T. (1998). Fantasy Island: dream logic as production logic. In T. Elsaesser, & K. Hoffmann (Eds.), Cinema futures: Cain, Abel or cable? The screen arts in the digital age (pp. 143-158). (Film culture in transition). Amsterdam University Press.
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Elsaesser, T. (1998). Specularity and Engulfment: Francis Ford Coppola and Bram Stoker's Dracula. In M. Smith, & S. Neale (Eds.), Contemporary Hollywood Cinema (pp. 191-208). Routledge.
Elsaesser, T. (1998). Mit diesen Bildern hat es angefangen: Harun Farocki. In R. Aurich, & U. Kriest (Eds.), Der Ärger mit den Bildern (pp. 111-144). UVK Medien.
Elsaesser, T. (1998). American friends: Hollywood echoes in new German Cinema. In G. Nowell-Smith, & S. Ricci (Eds.), Hollywood and Europe: economics, culture, national identity, 1945-95 (pp. 142-155). British Film Institute Publishing.
Elsaesser, T., & Wedel, M. (1998). Apocalypse now: the hollow heart of Hollywood. In G. Moore (Ed.), Joseph Conrad on Film (pp. 151-175). Cambridge University Press.