Bal, M. G. (2001). Three-Way Misreading. Diacritics, 30(1), 2-24.
Bal, M. G. (2001). Enfolding Feminism. In E. Bronfen, & M. Kavka (Eds.), Feminist Consequences: Theory for the New Century (pp. 321-52). Columbia University Press.
Bal, M. G. (2001). Auf die Haut / Unter die Haut: Barock es steigt an die Oberfläche. In P. J. Burgard (Ed.), Barock: Neue Sichtweisen einer Epoche (pp. 17-51). Böhlau Verlag.
Bal, M. G. (2001). Ecstatic aesthetics: Metaphoring Bernini. (Critical Issues series 4/2000). Artspace Visual Art Centre.
Bal, M. G. (2001). George Deem and Peter Angelo Simon: timely conversation. In G. Deem, P. Angelo, & M. G. Bal (Eds.), George Deem and Peter Angelo Simon : paintings and photographs in conversation (pp. 4-40). Evansville Museum of Arts and Science.
Bal, M. G. (2001). Looking in: The Art of Viewing (with introduction by Norman Bryson). G & B Arts International.
Bal, M. G. (2001). The Speculative Remark: (One of Hegel's bon mots) (Jean-Luc Nancy, tr. Céline Surprenant). (Cultural memory in the Present). Stanford University Press.
Bal, M. G. (2001). Futures: Of Derrida (Richard Rand, ed.). (Cultural Memory in the Present). Stanford University Press.
Bal, M. G. (2001). Institution and Interpretation: Expanded Edition (Samuel Weber). (Cultural Memory in the Present). Stanford University Press.
Bal, M. G. (2001). Veils (Helène Cixoux and Jacques Derrida, tr. Geoffrey Bennington, drawings by E. Pignon-Ernest). Stanford University Press.